[ CHEERS AND APPLAUSE ]
BUDDY YOU'RE A BOY
MAKE A BIG NOISE PLAYIN' IN THE STREET
GONNA BE A BIG MAN SOME DAY YOU GOT MUD ON YOUR FACE
YOU BIG DISGRACE KICKIN' YOUR CAN
ALL OVER THE PLACE WE WILL, WE WILL ROCK YOU
EVERY WE WILL WE WILL ROCK YOU
WE WILL, WE WILL ROCK YOU
[ CHEERS AND APPLAUSE ]
I'VE PAID MY DUES
TIME AFTER TIME I'VE DONE MY SENTENCE
BUT COMMITTED NO CRIME AND BAD MISTAKES
I'VE MADE A FEW I'VE HAD MY SHARE OF SAND
KICKED IN MY FACE BUT I'VE COME THROUGH
WE ARE THE CHAMPIONS MY FRIENDS
AND WE'LL KEEP ON FIGHTING TIL THE END
WE ARE THE CHAMPIONS WE ARE THE CHAMPIONS
NO TIME FOR LOSERS 'CAUSE WE ARE THE CHAMPIONS
WE ARE THE CHAMPIONS MY FRIENDS
AND WE'LL KEEP ON FIGHTING TIL THE END
WE ARE THE CHAMPIONS WE ARE THE CHAMPIONS
NO TIME FOR LOSERS 'CAUSE WE ARE THE CHAMPIONS
OF THE WORLD
[ CHEERS AND APPLAUSE ] YEAH
>> WELCOME TO THE OSCAR!
[ CHEERS AND APPLAUSE ] >> LIVE FROM THE DOLBY THEATRE
AT HOLLYWOOD AND HIGHLAND, IT'S THE 91st ACADEMY AWARDS.
TONIGHT, WE CELEBRATE THE ACTORS AND ACTRESSES, THE ARTISTS AND
FILMMAKERS, FROM THE BIGGEST MOVIES OF THE YEAR, INCLUDING
BEST PICTURE NOMINEES -- "A STAR IS BORN"
"BLACK PANTHER" "BLACKKKLANSMAN"
"BOHEMIAN RHAPSODY" "GREEN BOOK"
"ROMA" "THE FAVOURITE"
"VICE" WELCOME TO THE OSCARS.
>> DO YOU REALIZE HOW MANY EVENTS HAD TO OCCUR SINCE THE
BIRTH OF THE UNIVERSE, LEADING TO THE MAKING OF YOU.
>> AND WHEN YOU'RE DOWN HERE, AND YOU DON'T THINK ABOUT IT TOO
MUCH, WHEN YOU GET A DIFFERENT VANTAGE POINT, IT CHANGES YOUR
PERSP PERSPECTIVE.
>> I THINK OF THAT LITTLE KID I WAS, I SAY, WOULD HE HAVE BEEN
PROUD OF ME? IF THE ANSWER IS YES, I KNOW I'M
EXACTLY WHERE I'M SUPPOSED TO BE.
>> NO LOOKING BACK. ONLY FORWARDS.
>> IN EVERY FILM, THERE'S A MOMENT WHEN THE HERO HITS ROCK
BOTTOM. >> YOU'LL DO WHAT YOU HAVE TO
DO, AND THEN YOU'LL DO IT AGAIN. >> FIND SOMETHING YOU LOVE, AND
THEN GO AFTER IT. >> THE BEST THINGS IN LIFE
HAPPEN UNEXPECTEDLY. >> THAT'S WHAT MAKES THINGS
EXCITING. AND FUN.
>> YOU HAVE TO FIND THE TRUTH OF IT.
>> WE'RE ABOUT TO BLAST OFF! >> OFF WE GO.
>> WE WILL HAVE A TRANSFORMATIVE EXPERIENCE.
>> LET THE PARTY COMMENCE. >> LET'S TAKE SOME TIME TO THINK
OF PEOPLE WHO HAVE SUNG YOU INTO SINGING, SMILED YOU INT
SMILING. LOVED YOU INTO LOVING.
>> PEOPLE WILL REMEMBER OUR MOVIES.
[ CHEERS AND APPLAUSE ]
>> AND NOW, PLEASE WELCOME TINA FEY, MAYA RUDOLPH, AND AMY
POEHLER. [ CHEERS AND APPLAUSE ]
>> GOOD EVENING AND WELCOME TO THE 1 MILLIONTH ACADEMY AWARDS.
WE ARE NOT YOUR HOSTS. BUT WE'RE GOING TO STAND HERE A
LITTLE TOO LONG SO THAT THE PEOPLE WHO GET "USA TODAY"
TOMORROW WILL THINK THAT WE HOSTED.
>> THAT'S GREAT. SO, JUST A QUICK UPDATE, IN CASE
YOU'RE CONFUSED. THERE IS NO HOST TONIGHT.
THERE WON'T BE A POPULAR MOVIE CATEGORY, AND MEXICO IS NOT
PAYING FOR THE WALL. [ CHEERS AND APPLAUSE ]
>> THAT'S RIGHT. AND WE WON'T BE DOING AWARDS
DURING THE COMMERCIALS, BUT WE WILL BE PRESENTING COMMERCIALS
DURING THE AWARDS. SO IF ALL THE WINNERS COULD
PLEASE SAY "HELLMAN'S MAYONNAISE: WE'RE ON THE SIDE OF
FOOD" INSTEAD OF SPEECHES, THAT WOULD BE GREAT.
>> AGAIN, WE ARE NOT YOUR HOSTS THIS YEAR, BUT IF WE HAD HOSTED,
IT WOULD HAVE PROBABLY GONE LIKE THIS --
>> I'M FREDDIE MERCURY. >> BUSTER SCRUGGS, I HARDLY KNOW
HER. >> THAT'S A GOOD ONE.
HEY, CHADWICK BOSEMAN, WAKANDA PLANS DO YOU HAVE LATER?
>> THESE SPANX ARE SO TIGHT THEY'VE ENTERED MY SPIDER-VERSE.
>> I'M SAM ELLIOTT FROM SAM ELLIOTT MUSTACHE WAX.
>> DON'T WORRY, BRADLEY, AFTER FOUR KIDS, I, TOO, HAVE PEED
MYSELF AT THE GRAMMYS.
>> EVERYONE, LOOK UNDER YOUR SEATS.
YOU'RE ALL GETTING ONE OF THOSE CHEESE SANDWICHES FROM THE FYRE
FESTIVAL. >> YAY!
>> WE'RE NOT GOING TO DO ANY OF THAT.
>> NOPE. >> WE'RE HERE TO PRESENT THE
AWARD FOR OUTSTANDING SUPPORTING ACTRESS.
ALTHOUGH, IN MY EXPERIENCE, THEY'RE ALL OUTSTANDING, BECAUSE
WOMEN NATURALLY SUPPORT EACH OTHER.
>> YES, THAT'S TRUE. [ APPLAUSE ]
>> THAT'S VERY, VERY TRUE. FOR EXAMPLE, I SUPPORT BOTH OF
YOU FINANCIALLY. >> YES.
>> AND I HOLD YOUR BOOBS WHILE YOU JOG.
>> AND I DUB ALL YOUR DIALOGUE INTERNATIONALLY.
[ SPEAKING FOREIGN LANGUAGE ] >> THE NOMINEES FOR OUTSTANDING
SUPPORTING ACTRESS ARE -- >> AMY ADAMS.
"VICE." >> THE V.P. JUST SITS AROUND AND
WAITS FOR THE PRESIDENT TO DIE. YOU SAID SO YOURSELF.
>> IT'S A CRUDDY JOB. >> YEAH.
>> IT'S JUST A MEETING. >> IS IT JUST A MEETING?
>> IT'S JUST A MEETING. >> GOOD.
[ APPLAUSE ] >> MARINA DE TAVIRA.
"ROMA." [ SPEAKING FOREIGN LANGUAGE ]
[ APPLAUSE ] >> REGINA KING.
"IF BEALE STREET COULD TALK." >> IT'S YOUR GRANDCHILD.
I DON'T UNDERSTAND YOU. WHAT DIFFERENCE DOES IT MAKE HOW
HE GETS HERE? THE CHILD AIN'T GOT NOTHING TO
DO WITH THAT. AIN'T NONE OF US GOT NOTHING TO
DO WITH THAT. [ APPLAUSE ]
>> EMMA STONE. "THE FAVOURITE."
>> I HOPE I MIGHT BE EMPLOYED BY YOU.
>> A MONSTER FOR THE CHILDREN TO PLAY WITH PERHAPS.
>> YES, IF YOU LIKE. ARR!
AHH! [ APPLAUSE ]
>> RACHEL WEISZ. "THE FAVOURITE."
>> OH! >> IF YOU FORGET TO LOAD THE
PELLET, THE GUN MAKES A SOUND, BUT RELEASES NO SHOT.
IT'S A GREAT JAPE, DO YOU AGREE? >> YES.
>> MAYBE WE'LL THINK OF A USE FOR IT ONE DAY.
SOMETIMES IT IS HARD TO REMEMBER WHETHER YOU'VE LOADED THE PELLET
OR NOT. I DO FEAR CONFUSION, AND
ACCIDENTS. [ APPLAUSE ]
>> AND THE OSCAR GOES TO REGINA KING!
[ APPLAUSE ] >> THIS IS THE FIRST OSCAR AND
NOMINATION FOR REGINA KING. [ CHEERS AND APPLAUSE ]
>> TO BE STANDING HERE, REPRESENTING ONE OF THE GREATEST
ARTISTS OF OUR TIME, JAMES BALDWIN.
[ APPLAUSE ] IT'S A LITTLE SURREAL.
JAMES BALDWIN BIRTHED THIS BABY. AND BARRY, YOU NURTURED HER,
SURROUNDED HER WITH SO MUCH LOVE AND SUPPORT.
SO, IT'S APPROPRIATE FOR ME TO BE STANDING HERE, BECAUSE I'M AN
EXAMPLE OF WHAT IT LOOKS LIKE WHEN SUPPORT AND LOVE IS POURED
INTO SOMEONE. MOM, I LOVE YOU SO MUCH.
[ CHEERS AND APPLAUSE ] THANK YOU FOR TEACHING ME THAT
GOD IS ALWAYS LEANING, ALWAYS HAS BEEN LEANING IN MY
DIRECTION. GOMOSIS, ASK ME ABOUT THAT
LATER. SO MANY PEOPLE TO THANK, CHELSEA
BARNARD, MEGAN ELLENSON, PLAN B, THIS AMAZING CAST.
MY SISTERS IN ART. MARINA, AMY.
EMMA, RACHEL, IT'S AN HONOR TO HAVE MY NAME TO BE SAID WITH
YOURS. THIS WHOLE STEP OF THE WAY HAS
BEEN PRETTY AMAZING. THE RIVERS FAMILY, KIKI,
COLEMAN, KIANA, STEFON. GOD IS GOOD, ALL THE TIME.
[ CHEERS AND APPLAUSE ]
>> PLEASE WELCOME JASON MOMOA AND ACADEMY AWARD-WINNING
ACTRESS, HELEN MIRREN.
>> YOU KNOW, HONESTLY, I SWEAR TO GOD, JASON AND I CAN'T
COORDINATE OUR OUTFITS TONIGHT. THIS IS PURELY ACCIDENTAL.
BUT IT JUST GOES TO SHOW, THESE DAYS, A HAWAIIAN GOD, AND A VERY
MATURE ENGLISH WOMAN CAN BOTH WEAR PINK.
>> FINALLY. THE TIMES ARE CHANGING.
>> YES. >> BOOM.
DOCUMENTARY FILMMAKERS BRING US STORIES OF REAL PEOPLE, DOING
REAL THINGS, AND IN DOING SO, THEY CAN OFTEN OPEN OUR EYES TO
THE MOST IMPORTANT ISSUES OF YESTERDAY, TODAY, AND TOMORROW.
>> THEY ARE INSIGHTFUL AND ILLUMINATING, SOMETIMES
ASTONISHING, AND ALWAYS AUTHENTIC.
AND REVELATORY. HERE ARE THE NOMINEES FOR BEST
DOCUMENTARY FEATURE. "FREE SOLO."
>> THE CHANCE OF ME FALLING OFF IS QUITE LOW, EVEN THOUGH THE
CONSEQUENCES WITH EXTREMELY HIGH.
>> "HALE COUNTY THIS MORNING, THIS EVENING."
>> I WANT MY SON TO KNOW, I JUST WANT TO MAKE LIFE BETTER FOR
HIM. >> "MINDING THE GAP."
>> I'M MAKING THIS FILM BECAUSE I WAS PHYSICALLY DISCIPLINED BY
MY STEPFATHER, IT DIDN'T MAKE SENSE TO ME.
AND I SAW MYSELF IN YOUR OWN STORY.
>> "OF FATHERS AND SONS."
[ SPEAKING FOREIGN LANGUAGE ] >> "RBG."
>> I ASKED NO FAVOR FOR MY SEX. ALL I ASK OF OUR BRETHREN IS
THAT THEY TAKE THEIR FEET OFF OUR NECKS.
[ APPLAUSE ] >> AND THE OSCAR GOES TO "FREE
SOLO." [ CHEERS AND APPLAUSE ]
>> THIS IS THE FIRST OSCAR
NOMINATION FOR THE TEAM.
[ APPLAUSE ]
>> OH -- WOW. BREATHE.
>> WOW. THANK YOU.
THANK YOU, "NATIONAL GEOGRAPHIC"
FOR BELIEVING IN US, AND HIRING WOMEN AND PEOPLE OF COLOR,
BECAUSE WE ONLY HELP MAKE THE FILMS BETTER.
THANK YOU TO ALL THE AMAZING PEOPLE WHO WORKED ON THIS FILM.
EVAN, SHANNON. >> OUR HIGH ANGLE TEAM.
>> I MEAN, IT WAS A WORK OF AN ARMY, AND WE APPRECIATE YOU IN
EVERY WAY. THANK YOU TO OUR FAMILIES.
ESPECIALLY OUR TWO KIDS. MARINA, I KNOW YOU'RE HERE.
>> JAMES. >> AND THEN THANK YOU TO SONNY
McCANDLESS. YOU CLIMBED YOUR OWN MOUNTAIN
THAT DAY. THANK YOU.
THIS FILM WOULD BE SO BORING WITHOUT YOU.
I'M JUST SAYING, OKAY? ANYWAY, THANK YOU, ALEX, FOR
GIVING US COURAGE AND TEACHING US HOW TO BELIEVE IN THE
IMPOSSIBLE, AND INSPIRING US. THIS FILM IS FOR EVERYONE WHO
BELIEVES IN THE IMPOSSIBLE. >> THANK YOU.
THANK YOU. [ APPLAUSE ]
>> COMING UP, A LOOK AT "VICE." AND THE AWARDS FOR MAKEUP AND
HAIRSTYLING AND COSTUME DESIGN. AND LATER, MELISSA McCARTHY,
[ APPLAUSE ]
>>> FROM RAGE AGAINST THE MACHINE, HERE IS TOM MORELLO.
[ APPLAUSE ] >> MOVIES, LIKE MUSIC, CAN DO
MORE THAN ENTERTAIN. A GREAT MOVIE CAN BECOME A PART
OF THE CONVERSATION OF HISTORY. AND, LIKE OUR NEXT MOVIE, AND
THE KIND OF SONGS I LIKE TO MAKE, IT CAN DO IT WITH
FEEDBACK, NOISE, AND, YES, ANGER.
ADAM McKAY'S "VICE" IS SUCH A FILM.
SHREDDING THE TRADITIONAL BIOPIC STRUCTURE WITH PASSION
AND HUMOR, "VICE" SEEKS TO PUT A SPOTLIGHT ON A MAN WHO AVOIDED
IT HIS WHOLE CAREER -- DICK CHENEY.
BRILLIANTLY ACTED, THE FILM IS A LESSON ABOUT THE PAST THAT
SERVES AS A WARNING ABOUT THE PRESENT AND THE FUTURE.
WAR, GREED, TRUTH, LIES, FATHERHOOD, LOVE, TORTURE, AND
BETRAYAL ALL SWIRL AROUND IN "VICE" WITH A HARD BACKBEAT AND
A KILLER BASSLINE. SOME WILL DIG IT.
SOME WILL COVER THEIR EARS. BUT EVERYONE WILL DO THE ONE
THING THE MOVIE BEGS US TO DO, REACT.
THIS IS "VICE." >> SO, WHAT'S THE PLAN?
>> THE PLAN IS TO TAKE OVER THE DAMN PLACE.
>> GEORGE, YOU MAKE DECISIONS BASED ON INSTINCT.
>> NO ONE HAS SHOWN THE WORLD THE TRUE POWER OF THE AMERICAN
PRESIDENCY. >> THAT'S NOT SOMETHING THE VICE
PRESIDENT REALLY DOES. >> IT IS NOW.
>> YOU NEED TO REMEMBER THAT IF YOU HAVE POWER, PEOPLE WILL
ALWAYS TRY TO TAKE IT FROM YOU. [ APPLAUSE ]
>> PLEASE WELCOME ELSIE FISHER
AND STEPHAN JAMES. >> IT DOESN'T TAKE A MAGIC WAND
TO TRANSFORM AN ACTOR INTO A CHARACTER WHOSE LOOK IS
MEMORABLE AND MEANINGFUL TO THE STORY.
>> ALL IT TAKES ARE THIS YEAR'S NOMINEES FOR ACHIEVEMENT IN
MAKEUP AND HAIRSTYLING. >> "BORDER."
"MARY QUEEN OF SCOTS." "VICE."
>> AND THE OSCAR GOES TO "VICE." [ APPLAUSE ]
>> THIS IS THE FIRST OSCAR AND NOMINATION FOR KIT AND PATRICIA,
THE FOURTH OSCAR AND TENTH NOMINATION FOR GREG.
OSCARS IN THIS CATEGORY HAVE BEEN AWARDED SINCE 1981.
[ CHEERS AND APPLAUSE ]
>> THANK YOU, ADAM, OUR GREAT
DIRECTOR, CHRISTIAN BALE. OH, YOU'RE HERE.
GO AHEAD. >> CAN YOU READ THAT?
>> I ALREADY DID. GO AHEAD.
>> PLAN B, GARY SANCHEZ. >> THE VOTING ACADEMY MEMBERS,
AND OUR FELLOW NOMINEES FROM THE UK AND SWEDEN, THANK YOU.
[ APPLAUSE ] >> CHRISTIAN BALE, YOU'RE
FANTASTIC. SO GREAT TO WORK WITH, AND
CREATE WITH, AND EVERYTHING. THANK YOU.
>> AMY ADAMS, THANK YOU FOR BRINGING US UP TO YOUR LEVEL OF
COMMITMENT. >> SAM ROCKWELL, AND THE 150
OTHER S.A.G. MEMBERS, GREAT JOB. [ APPLAUSE ]
>> SUSAN MATHESON. >> JEFF WAXMAN.
>> AND JENNIFER MADELOFF. >> PAULA WILLIAMS, LESLIE
WOFFORD. >> CHRIS GALLAHER.
>> KENNY MYERS. GO AHEAD.
>> ERIC, BRIAN WADE.
[ APPLAUSE ] >> PLEASE WELCOME BRIAN TYREE
HENRY, AND A NOMINEE TONIGHT FOR ACTRESS IN A LEADING ROLE,
MELISSA McCARTHY.
[ CHEERS AND APPLAUSE ]
>> A RAKISH TILT TO A HAT. THE DRAPE OF FABRIC, JUST SO.
NUANCE AND SOPHISTICATION ARE JUST TWO QUALITIES OF THE MOST
EFFECTIVE COSTUME DESIGN. >> THESE ARTISTS CREATE A
PASTICHE OF TEXTILES WITH AUTHENTICITY, YET NEVER DISTRACT
FROM THE STORY. COSTUME DESIGNERS CONSTRUCT THE
LOOKS THAT GROUND A CHARACTER TO A PARTICULAR TIME AND PLACE IN
THE SUBTLEST OF WAYS. >> SO TRUE.
SO TRUE. SO TRUE.
>> SO TRUE. >> HERE ARE THE NOMINEES FOR
ACHIEVEMENT IN COSTUME DESIGN. >> "THE BALLAD OF BUSTER
SCRUGGS." "BLACK PANTHER."
"THE FAVOURITE." "MARY POPPINS RETURNS."
"MARY QUEEN OF SCOTS." [ APPLAUSE ]
>> AND THE OSCAR GOES TO -- GET IT.
>> I GOT IT. OKAY.
>> OKAY. "BLACK PANTHER," RUTH CARTER!
>> THIS IS THE FIRST OSCAR AND THIRD NOMINATION FOR RUTH
CARTER. SHE WAS PREVIOUSLY NOMINATED
FOR "MALCOLM X" AND "AMISTAD." [ CHEERS AND APPLAUSE ]
>> WOW.
WOW. I GOT IT.
WOW. THIS HAS BEEN A LONG TIME
COMING. SPIKE LEE, THANK YOU FOR MY
START. I HOPE THIS MAKES YOU PROUD.
[ APPLAUSE ] MARVEL MAY HAVE CREATED THE
FIRST BLACK SUPERHERO, BUT THROUGH COSTUME DESIGN, WE
TURNED HIM INTO AN AFRICAN KING. [ CHEERS AND APPLAUSE ]
IT'S BEEN MY LIFE'S HONOR TO CREATE COSTUMES.
THANK YOU TO THE ACADEMY, THANK YOU FOR HONORING AFRICAN
ROYALTY, AND THE EMPOWERED WAY WOMEN CAN LOOK AND LEAD
ONSCREEN. THANK YOU TO MY CREWS AROUND THE
WORLD WHO HELPED BRING WIAKANDA TO LIFE, OUR GENIUS DIRECTOR,
RYAN COOGLER. YOU ARE A GUIDING FORCE.
THANK YOU FOR YOUR TRUST AND UNDERSTANDING MY ROLE IN TELLING
THE AFRICAN-AMERICAN STORY. ADDING VIBRANIUM TO COSTUMES IS
VERY EXPENSIVE, SO THANK YOU. MY CAREER IS BUILT WITH PASSION
TO TELL STORIES THAT ALLOW US TO KNOW OURSELVES BETTER.
THIS IS FOR MY 97-YEAR-OLD MOTHER, WATCHING IN
MASSACHUSETTS. MOM, THANK YOU FOR TEACHING ME
ABOUT PEOPLE AND THEIR STORIES. YOU ARE THE ORIGINAL SUPERHERO.
THANK YOU! [ CHEERS AND APPLAUSE ]
>> COMING UP, JENNIFER LOPEZ,
CHRIS EVANS, AND TYLER PERRY, THE AWARD FOR CINEMATOGRAPHY,
AND A LOOK AT BEST PICTURE NOMINEE "A STAR IS BORN."
THEN LATER, ANGELA BASSETT AND JAVIER BARDEM.
PLUS, A PERFORMANCE FROM JENNIFER HUDSON.
ALL HERE ON THE OSCARS AT THE DOLBY THEATER.
>>> PLEASE WELCOME JENNIFER
LOPEZ AND CHRIS EVANS. [ CHEERS AND APPLAUSE ]
>> TONIGHT IS NOT ONLY ABOUT CELEBRATING THE PEOPLE IN FRONT
OF THE CAMERA, IT'S ALSO ABOUT RECOGNIZING THE ARTISTS WHO
DESIGN THE BEAUTIFUL WORLDS OUR CHARACTERS INHABIT.
>> LET'S TAKE A LOOK AT THE INCREDIBLE WORK THEY DO,
CREATING THE OVERALL APPEARANCE OF THEIR FILMS.
HERE ARE TONIGHT'S NOMINEES FOR ACHIEVEMENT IN PRODUCTION
DESIGN. >> "BLACK PANTHER."
"THE FAVOURITE." "FIRST MAN."
"MARY POPPINS RETURNS "ROMA."
>> AND THE OSCAR GOES TO "BLACK PANTHER."
>> THIS IS THE FIRST OSCAR AND NOMINATION FOR HANNAH, SHE'S THE
FIRST AFRICAN-AMERICAN TO BE NOM T
NOMINATED IN THIS CATEGORY. JAY HART WAS PREVIOUSLY
NOMINATED TWO TIMES.
[ CHEERS AND APPLAUSE ] >> THANK YOU.
THANKS. THANK YOU.
>> CONGRATULATIONS. >> THANK YOU SO MUCH.
CAN YOU HOLD THIS FOR ME? I DIDN'T EVEN -- OKAY, YOU'RE ON
MY DRESS. ALL RIGHT, I GOT TO PUT THESE
ON. I DON'T EVEN KNOW WHERE I PUT MY
SPEECH, I'M REALLY SHAKING HARD. I PUT IT IN MY PHONE, I CAN'T
FIND IT. I LOVE YOU GUYS.
I WANT TO THANK ALL OF THE NOMINEES IN THIS CATEGORY FOR
THE EXTRAORDINARY WORLDS THEY BUILT.
I WANT TO THANK THE ACADEMY. THANK YOU SO MUCH.
RYAN COOGLER. I STAND HERE STRONGER THAN I WAS
YESTERDAY. I STAND HERE WITH AGENCY AND
SELF-WORTH BECAUSE OF RYAN COOGLER, WHO NOT ONLY MADE ME A
BETTER DESIGNER, STORYTELLER, A BETTER PERSON.
THIS MAN OFFERED ME A DIFFERENT PERSPECTIVE OF LIFE, WHO OFFERED
ME A SAFE SPACE, WAS PATIENT, AND GAVE ME AIR, HUMANITY, AND
BROTHERHOOD. THANK YOU, RYAN, I LOVE YOU.
I'M STRONGER BECAUSE OF MARVEL, WHO GAVE ME THE OPPORTUNITY TO
DO MY BEST. WHO SUPPORTED THE VISION OF THIS
FILM, AND LIFTED US OF UP DAY. VICTORIA, KEVIN, LOU, AND NATE
MOORE, THANK YOU. AND I'M STRONGER BECAUSE OF THE
HART DEPARTMENT CREW, WHO BROUGHT THEIR COURAGE AND
HUMILITY TO THE TABLE. AND THANK YOU TO THE WONDERFUL
CAST, WHO BREATHED LIFE INTO THIS WORLD.
BECAUSE OF RUTH CARTER AND RACHEL MORRISON, AND EVERYTHING
THEY DID BEHIND THE CAMERA WITH ME.
I'M STRONGER BECAUSE OF A WOMAN WHO SUPPORTED ME EVERY DAY,
CAROL TREVINO, REST IN POWER. I'M STRONGER BECAUSE OF MY
FAMILY, I GIVE THE STRENGTH TO ALL OF THOSE WHO COME NEXT, TO
KEEP GOING, TO NEVER GIVE UP. WHEN YOU THINK IT'S IMPOSSIBLE,
JUST REMEMBER TO SAY THIS PIECE OF ADVICE, I DID MY BEST, AND MY
BEST IS GOOD ENOUGH. THANK YOU.
[ CHEERS AND APPLAUSE ]
>> I JUST WANT TO THANK MY CREW!
[ CHEERS AND APPLAUSE ] >> PLEASE WELCOME TYLER PERRY.
[ APPLAUSE ]
>> COMMUNITY. WE OFTEN USE THAT WORD TO
DESCRIBE WHO WE ARE AND WHAT CONNECTS ALL OF US INVOLVED IN
THE DIFFERENT ELEMENTS THAT BRING A FILM FROM AN IDEA IN THE
WRITER'S MIND TO ITS PREMIERE ON THE BIG SCREEN.
EACH PERSON, EACH CRAFT, EACH DISCIPLINE IS ESSENTIAL TO THE
PROCESS. DEEP DOWN, WE KNOW THAT.
WE ALWAYS HAVE. IN THE END, THIS TRULY
COLLABORATIVE COMMUNITY COMES TOGETHER ON A NIGHT LIKE THIS TO
CELEBRATE THIS PAST YEAR AND TO LOOK FORWARD TO THE NEXT.
IT IS A TRUE HONOR FOR ME TO PRESENT THIS NEXT AWARD.
LIVE ON CAMERA, NOT DURING THE COMMERCIAL BREAK.
THANK YOU, ACADEMY. HERE ARE THE NOMINEES FOR
ACHIEVEMENT IN CINEMATOGRAPHY. >> "COLD WAR," LUKASZ ZAL.
"THE FAVOURITE," ROBBIE RYAN. "NEVER LOOK AWAY," CALEB
DESCHANEL. "ROMA," ALFONSO CUARON.
"A STAR IS BORN," MATTHEW LIBATIQUE.
>> AND THE OSCAR GOES TO ALFONSO CUARON, "ROMA."
>> ALFONSO CUARON IS THE FOURTH PERSON TO RECEIVE NOMINATIONS IN
FOUR DIFFERENT CATEGORIES FOR THE SAME FILM.
THIS IS HIS FOURTH OSCAR AND TENTH NOMINATION.
>> THANK YOU. THANK YOU SO MUCH.
IT'S AN AMAZING HONOR. THANK YOU, ACADEMY.
TO CREATE A SINGLE FRAME OF FILM, AS YOU KNOW, REQUIRES THE
HARD WORK OF A LOT OF PEOPLE. I WANT TO THANK THE AMAZING CAST
AND CREW. THE PRODUCERS, NETFLIX.
AND IF THIS FILM WAS CREATED BY MY OWN MEMORIES, THE FILM WAS
CRAFTED THROUGH THE MEMORIES OF WHAT THIS GREAT MASTER OF
CINEMATOGRAPHY HAS GIVEN TO US. IT'S WELL KNOWN THAT IN BILLY
WILDER'S OFFICE, THERE WAS A SIGN THAT SAID, WHAT WOULD
LUBISCH HAVE DONE? AND THIS IS FOR YOU, THANK YOU
VERY MUCH, MEXICO. MY FAMILY.
A I LOVE YOU GUYS.
THANK YOU. [ CHEERS AND APPLAUSE ]
>> LADIES AND GENTLEMEN, PLEASE
WELCOME EMILIA CLARKE. [ APPLAUSE ]
>> THE FIRST NOMINEE FOR
ORIGINAL SONG WAS COMPOSED FOR THE DOCUMENTARY FEATURE, "RBG".
SUNG AS A RALLYING CRY, AN ANTHEM AND A PERSONAL PROMISE,
THE SONG EMBODIES THE SEEMINGLY ENDLESS STRENGTH AND COMMITMENT
OF ITS SUBJECT, SUPREME COURT JUSTICE RUTH BADER GINSBURG, A
WOMAN WHO HAS SPENT HER CAREER AT THE FOREFRONT OF THE FIGHT
AGAINST GENDER DISCRIMINATION. KHALEESI HAS NOTHING ON HER.
JUSTICE GINSBURG, IF YOU'D EVER LIKE TO BORROW THE DRAGONS,
RING ME. ALTHOUGH THE SONG'S SUBJECT IS
SOFT-SPOKEN, ITS SINGER IS A VOCAL POWERHOUSE, PRESENTING ITS
MESSAGE WITH THE PASSION IT DESERVES.
AND NOW, PERFORMING "I'LL FIGHT" BY SONGWRITER DIANE WARREN,
PLEASE WELCOME ACADEMY AWARD WINNER JENNIFER HUDSON.
[ CHEERS AND APPLAUSE ]
WHEN YOU FEEL YOU'RE TAKING
ALL THAT YOU CAN TAKE AND YOU'RE SURE YOU'RE NEVER
GONNA CATCH A BREAK AND THE TEARS ARE RIVERS
RUNNING DOWN YOUR FACE YEAH
WHEN YOUR FAITH IS LOW AND YOU'VE GOT NO STRENGTH LEFT
WHEN YOU THINK YOU'VE GONE AS FAR AS YOU CAN GET
AND YOU'RE TOO UNDONE TO TAKE ANOTHER STEP
OH I WILL TAKE UP THE STRUGGLE
OH, I KNOW IT'S A FIGHT SO I'LL FIGHT
FIGHT THAT WAR FOR YOU I'LL FIGHT
STAND AND DEFEND YOU TAKE YOUR SIDE
THAT'S WHAT I'M HERE TO DO I'LL BE THERE TO BE STRONG
OH, I'LL KEEP ON KEEP ON
I'LL HAVE YOUR BACK WHEN YOUR BACK'S TO THE WALL
AND I'LL CATCH THE TEARS WHEN YOUR TEARS FALL
I'LL GIVE IT ALL I WON'T GIVE UP
I'LL FIGHT YEAH I'LL FIGHT
THAT'S WHAT I'M HERE TO DO I'LL BE THERE TO BE STRONG
OH, I'LL KEEP ON KEEP ON
I'LL FIGHT I'LL FIGHT
[ CHEERS AND APPLAUSE ]
>> KEEP WATCHING FOR MORE HIGHLIGHTS OF THIS YEAR'S BEST
PICTURE NOMINEES. AND A PERFORMANCE BY BETTE
MIDLER. AND NEXT, JAMES McAVOY AND DANAI
>>> PLEASE WELCOME SERENA
WILLIAMS. [ APPLAUSE ]
>> WHEN WE'RE YOUNG, WE ALL HAVE DREAMS OF WHAT WE CAN ACCOMPLISH
IN LIFE. HAVING THE DREAM IS EASY.
MAKING IT COME TRUE IS HARD. WHETHER THAT DREAM IS BECOMING
AN ACTOR, A TENNIS PLAYER, OR A SINGER LIKE ALLIE IN "A STAR IS
BORN." IN TONIGHT'S NEXT NOMINEE FOR
BEST PICTURE, WE SEE, THROUGH ALLIE'S EYES, THE HIGHS AND LOWS
ON THE JOURNEY TO STARDOM. THE RUSH OF FAME, THE PRESSURE
OF SUCCESS, AND THE HEARTACHE THAT COMES WITH SACRIFICING LOVE
FOR CAREER, OR CAREER FOR LOVE. THIS IS "A STAR IS BORN."
[ CHEERS AND APPLAUSE ]
McAVOY AND DANAI GURIRA. [ APPLAUSE ]
>> THE NOMINEES FOR SOUND EDITING THIS YEAR RUN THE GAMUT.
>> FROM THE CACOPHONY OF BATTLE IN "BLACK PANTHER."
>> AND THE ARENA ROCK OF "BOHEMIAN RHAPSODY."
>> TO THE QUIET TENSIONS OF HOME IN "ROMA."
>> AND THE SUSPENSEFUL SILENCE OF "A QUIET PLACE."
>> AND THE UTTER SILENCE OF SPACE IN "FIRST MAN."
>> HERE ARE THE NOMINEES FOR ACHIEVEMENT IN SOUND EDITING.
>> "BLACK PANTHER." "BOHEMIAN RHAPSODY."
"FIRST MAN." "A QUIET PLACE."
"ROMA." >> AND THE OSCAR GOES TO
"BOHEMIAN RHAPSODY"! >> THIS IS THE FIRST OSCAR AND
NOMINATION FOR JOHN AND NINA. "BOHEMIAN RHAPSODY" IS NOMINATED
IN FIVE CATEGORIES TONIGHT, INCLUDING BEST PICTURE.
[ CHEERS AND APPLAUSE ]
>> WOW. THAT'S INCREDIBLE.
WE'D LIKE TO THANK THE ACADEMY. THIS TRULY IS AN HONOR,
ESPECIALLY IN A CATEGORY WITH SO MANY AMAZING-SOUNDING FILMS.
WORKING ON "BOHEMIAN RHAPSODY" REALLY WAS AN HONOR.
WE GOT TO WORK WITH QUEEN FOR OUR DAY JOB, WHICH WAS
WONDERFUL. [ APPLAUSE ]
WE'D LIKE TO THANK ALL OF QUEEN, AND THE FULL TEAM.
FOR THE, JUST FOR THE GREAT MUSIC, FOR THE SUPPORT.
AND, YEAH, A SPECIAL NOD TO FREDDIE AS WELL.
[ APPLAUSE ] AND QUICK SHOUT-OUT, SO MANY
THANKS, STEPH, MY KIDS. NINA?
>> I WOULD LIKE TO THANK OUR FULL TEAM.
ALL THE PEOPLE WHO ARE HERE, AND ALSO EVERYONE IN LONDON, WHO ARE
WATCHING RIGHT NOW. AND OBVIOUSLY, MY HUSBAND KEVIN
IS UP THERE. MY FAMILY, MY KIDS, MY MOM AND
DAD, WHO ARE LOOKING AFTER THEM. MOM, WE'LL BE HOME SOON.
>> THANK YOU. >> THANK YOU, THANK YOU.
[ APPLAUSE ] >> AND NOW, IT'S TIME FOR THE
NEXT AWARD. >> HERE ARE THE NOMINEES FOR
ACHIEVEMENT IN SOUND MIXING. >> "BLACK PANTHER."
"BOHEMIAN RHAPSODY." "FIRST MAN."
"ROMA." "A STAR IS BORN."
>> AND THE OSCAR GOES TO "BOHEMIAN RHAPSODY"!
>> THIS IS THE FIRST OSCAR WIN FOR THIS SOUND MIXING TEAM.
PAUL HAS EIGHT PREVIOUS NOMINATIONS, RECEIVING HIS FIRST
FOR HIS WORK ON "LEGENDS OF THE FALL."
TIM WAS PREVIOUSLY NOMINATED IN THIS CATEGORY FOR "BABY DRIVER."
THIS IS THE FIRST NOMINATION FOR JOHN.
[ CHEERS AND APPLAUSE ]
>> THANK YOU. THANK YOU, ACADEMY.
HUGE HONOR. I'D LIKE TO THANK OUR PRODUCERS,
GRAHAM, DENNIS, TED FROM FOX, AND OUR WHOLE SOUND CREW, THANK
YOU. MASSIVE SHOUT-OUT TO BRIAN AND
ROGER. THANK YOU SO MUCH FOR YOUR
MUSIC, COLLABORATION, AND SUPPORT.
AND I WOULD LIKE TO DEDICATE THIS TO MY KIDS, SHAWN, ANDREW,
SOPHIE, TAYLOR, I LOVE YOU ALL. THANK YOU.
>> I WANT TO THANK MY WIFE. MY KIDS, AND HONOR MY TEAM.
FOR CHRIS, THANKS, MATE. THANK YOU.
>> I'D LIKE TO THANK MY TEAM, OUR CIRCUIT, EVERYONE ELSE WHO
WORKED ON THE SOUND, MY MOM AND DAD, MY AMAZING BROTHERS, AND MY
FRIENDS WATCHING TONIGHT. THANK YOU.
>> COMING UP, THE AWARD FOR FOREIGN LANGUAGE FILM.
AND A PERFORMANCE BY BETTE MIDLER.
THEN WE FIND OUT WHO WINS FOR
>>> PLEASE WELCOME OSCAR-NOMINATED ACTRESS QUEEN
LATIFAH. >> IT'S AN HONOR TO BE HERE TO
INTRODUCE ONE OF TONIGHT'S NOMINEES FOR BEST PICTURE, "THE
FAVOURITE." THE FILM TAKES US TO
18th CENTURY BRITAIN WITH A MONARCH LACKING THE INTEREST,
AND MAYBE THE ABILITY, TO LEAD. DECISION MAKING IS TAKEN OVER BY
AN INNER CIRCLE. THERE IS INFIGHTING FOR THE
RULER'S AFFECTION. AS THE STAKES GET HIGHER, WE SEE
CORRUPTION LEAD TO THE DOWNFALL OF ONE UNDERLING AFTER ANOTHER.
IT'S NOT EASY BEING QUEEN. THIS IS "THE FAVOURITE."
>> I HOPE YOU HAVEN'T FOUND YOUR TIME WITH THE QUEEN TOO TEDIOUS.
>> YES, I'M BEAUTIFUL. IF I WERE A MAN, I WOULD RAVISH
YOU. >> YOU'RE JEALOUS.
>> SHE'S A VIPER. >> I'M ON MY SIDE, ALWAYS.
>> STOP IT. STOP!
>> IT IS FUN TO BE QUEEN, SOMETIMES.
>> YOU HAVE WON. >> HAVEN'T I?
>> TAKE YOUR SHOT. [ APPLAUSE ]
>> PLEASE WELCOME ACADEMY AWARD-NOMINATED ACTRESS ANGELA
BASSETT AND ACADEMY AWARD-WINNING ACTOR JAVIER
BARDEM. [ CHEERS AND APPLAUSE ]
[ SPEAKING FOREIGN LANGUAGE ]
[ CHEERS AND APPLAUSE ]
[ SPEAKING FOREIGN LANGUAGE ] [ APPLAUSE ]
>> MEMBERS OF THE MOVIE ACADEMY COME FROM ACROSS THE GLOBE, SO
IT IS TRULY FITTING THAT THIS YEAR, FOREIGN LANGUAGE FILMS ARE
NOT JUST RECOGNIZED IN THIS CATEGORY, BUT IN ALMOST EVERY
CATEGORY. [ APPLAUSE ]
HERE ARE THE NOMINEES FOR BEST FOREIGN LANGUAGE FILM.
>> FROM LEBANON, "CAPERNAUM." FROM POLAND, "COLD WAR."
FROM GERMANY, "NEVER LOOK AWAY." "ROMA," FROM MEXICO.
"SHOPLIFTERS," FROM JAPAN. >> AND THE OSCAR GOES TO "ROMA"!
[ CHEERS AND APPLAUSE ]
>> THIS IS THE NINTH MOVIE FROM MEXICO TO BE NOMINATED, AND THE
FIRST TO WIN THE OSCAR FOR FOREIGN LANGUAGE FILM.
[ CHEERS AND APPLAUSE ] >> THANK YOU.
AM I GOING TO GET SUBTITLED AS WELL?
THANK YOU, YALITZA, MARINA, GABRIELA, NICO, ALL THE CAST AND
CREW. I GREW UP WATCHING FOREIGN
LANGUAGE FILMS, LEARNING SO MUCH FROM THEM, BEING INSPIRED.
FILMS LIKE "CITIZEN KANE," "JAWS."
AND THERE ARE NO WAVES, THERE'S ONLY THE OCEAN.
I THINK THE NOMINEES TONIGHT HAVE PROVEN THAT WE ARE PART OF
THE SAME OCEAN. I WANT TO THANK MY FAMILY,
MEXICO, FOR THE BEACH WHERE THIS FILM COMES FROM.
AND ALSO TO OLMO, BOO, FOR BEING THE CURRENT THAT PUSHES MY
DRIFT. THANK YOU SO MUCH.
[ CHEERS AND APPLAUSE ]
>> AND NOW, DROPPING INTO THE OSCARS FROM ABOVE, PLEASE
WELCOME KEEGAN-MICHAEL KEY. [ CHEERS AND APPLAUSE ]
>> THIS THING.
THIS EVENING'S NEXT NOMINEE FOR BEST ORIGINAL SONG WAS WRITTEN
BY MARC SHAIMAN AND SCOTT WITTMAN FOR THE FILM "MARY
POPPINS RETURNS." [ APPLAUSE ]
IN ADDITION TO LIFTING THE BANKS CHILDREN'S SPIRITS THROUGH A
SERIES OF MAGICAL ADVENTURES, MARY POPPINS OFFERS COMFORT AND
COMPASSION WITH THIS TENDER LULLABY, UNDERSCORING THE NOTION
THAT A LOVED ONE WHO IS LOST CAN STILL BE VERY MUCH
PRESENT. PERFORMING "THE PLACE WHERE LOST
THINGS GO" WITH MARC SHAIMAN ON PI
PIANO, PLEASE WELCOME THE DIVINE MISS "M."
[ CHEERS AND APPLAUSE ]
DO YOU EVER LIE
AWAKE AT NIGHT JUST BETWEEN THE DARK
AND THE MORNING LIGHT SEARCHING FOR THE THINGS
YOU USED TO KNOW LOOKING FOR THE PLACE
WHERE THE LOST THINGS GO DO YOU EVER DREAM
OR REMINISCE WONDERING WHERE TO FIND
WHAT YOU TRULY MISS WELL MAYBE ALL THOSE THINGS
THAT YOU LOVE SO ARE WAITING IN THE PLACE
WHERE THE LOST THINGS GO MEMORIES YOU'VE SHARED
GONE FOR GOOD YOU FEARED THEY'RE ALL AROUND YOU STILL
THOUGH THEY'VE DISAPPEARED MAYBE TO THE MOON
OR MAYBE SOMEWHERE NEW MAYBE ALL YOU'RE MISSING
LIVES INSIDE OF YOU SO WHEN YOU NEED HER TOUCH
AND LOVING GAZE GONE BUT NOT FORGOTTEN
IS THE PERFECT PHRASE SMILING FROM A STAR
THAT SHE MAKES GLOW TRUST SHE'S ALWAYS THERE
WATCHING AS YOU GROW FIND HER IN THE PLACE
WHERE THE LOST THINGS GO
[ CHEERS AND APPLAUSE ]
>> COMING UP, A LOOK AT BEST PICTURE NOMINEE "BLACK PANTHER,"
THE OSCARS FOR FILM EDITING AND BEST SUPPORTING ACTOR, MICHAEL
KEATON, AND A PERFORMANCE OF "SHALLOW" BY OSCAR NOMINEES LADY
GAGA AND BRADLEY COOPER. AND LATER, CHARLIZE THERON,
KACEY MUSGRAVES, AND LAURA DERN,
>>> PLEASE WELCOME TREVOR NOAH.
[ APPLAUSE ] >> "BLACK PANTHER" MAY BE AN
AFRICAN HERO, BUT HIS STORY AND HIS APPEAL ARE UNIVERSAL.
I KNOW THIS PERSONALLY, BECAUSE OF ALL THE PEOPLE WHO CONSTANTLY
COME UP TO ME AND SAY, "WAKANDA FOREVER."
EVERYWHERE IN THE WORLD. MY AFRICAN FRIENDS ARE LIKE,
"WANKANDA FOREVER." IN FRANCE, PEOPLE SAY, "HELLO,
TREVOR NOAH, HOW YOU SAY, WAKANDA FOREVER?"
EVEN BACKSTAGE, MEL GIBSON CAME UP TO ME, LIKE, "WAKANDA
FOREVER." HE SAID ANOTHER WORD TO ME AFTER
THAT, BUT THE WAKANDA PART WAS NICE.
GROWING UP AS A YOUNG BOY IN WAKANDA, I WOULD SEE KING
T'CHALLA FLYING OVER OUR VILLAGE AND HE WOULD REMIND ME OF A
GREAT XHOSA PHRASE. [ SPEAKING FOREIGN LANGUAGE ]
WHICH MEANS, "IN TIMES LIKE THESE, WE ARE STRONGER WHEN WE
FIGHT TOGETHER THAN WHEN WE TRY TO FIGHT APART."
THIS IS BEST PICTURE NOMINEE, "BLACK PANTHER."
[ CHEERS AND APPLAUSE ]
>> I WANT TO BE A GREAT KING, JUST LIKE YOU.
. >> YOU'RE A GOOD MAN WITH A GOOD
HEART. AND IT'S HARD FOR A GOOD MAN TO
BE KING. >> THE BLACK PANTHER LIVES.
YOU GET TO DECIDE WHAT KIND OF KING YOU ARE GOING TO BE.
>> WAKANDA FOREVER! >> WAKANDA FOREVER!
[ CHEERS AND APPLAUSE ]
>> PLEASE WELCOME OSCAR NOMINATED ACTOR MICHAEL KEATON.
[ APPLAUSE ] >> IF YOU THINK OF SHOOTING A
MOVIE AND MAKING A MOVIE AS THE SAME THING, YOU'VE OVERLOOKED
ONE OF THE MOST IMPORTANT ELEMENTS OF FILMMAKING --
THE EDITING. EDITORS INFUSE A FILM WITH
RHYTHM. THEY BUILD SUSPENSE.
AND THEY CREATE MOMENTS THAT WOULD OTHERWISE NOT HAVE
EXISTED. AND AS AN ACTOR, THEY CAN MAKE
THINGS LIKE YOUR PERFORMANCE A WHOLE LOT BETTER.
TRUST ME. HERE ARE THE NOMINEES FOR
ACHIEVEMENT IN FILM EDITING. >> "BLACKKKLANSMAN,"
BARRY ALEXANDER BROWN. "BOHEMIAN RHAPSODY,"
JOHN OTTMAN. "THE FAVOURITE,"
YORGOS MAVROPSARIDIS. "GREEN BOOK,"
PATRICK J. DON VITO. "VICE," HANK CORWIN.
AND THE OSCAR GOES TO "BOHEMIAN RHAPSODY,"
JOHN OTTMAN.
>> THIS IS THE FIRST OSCAR AND NOMINATION FOR JOHN OTTMAN.
[ APPLAUSE ]
>> THANK YOU. >> HE ASKED IF I WOULD LIKE
THIS, I SAID, SURE, MY MOM WOULD LIKE IT.
OVER HERE, SHE'S 85 YEARS OLD. WOW, YOU GET UP HERE, AND YOU
COMPLETELY BLANK. THIS FILM, I LIKE TO SAY, THE
CAST AND CREW LIKES TO SAY, WAS A LABOR OF LOVE.
I THINK FREDDIE MERCURY BROUGHT US TOGETHER, FROM WHEREVER HE
IS, JUST LIKE HE DID HIS AUDIENCE.
I'M SO THANKFUL FOR EVERYBODY BONDING TOGETHER, AND TRUSTING
ME, AND THERE'S TOO MANY PEOPLE TO THANK.
RAMI, LOOKING AT ME, YOU HAD BETTER THANK ME.
I GOT THE BAND OVER HERE, THANK YOU SO MUCH, BRIAN AND ROGER.
AND I HAVE TO MENTION, OF COURSE, GRAHAM KING AND DENNIS
O'SULLIVAN, TWO OF THE HARDEST-WORKING PRODUCERS.
AND MY PARENTS, THIS GOES TO THEM ON THEIR MANTEL, THEY
ENCOURAGED ME TO DO WHATEVER I WANTED AS A KID, WRITING MUSIC,
OR WRITING FILMS IN THEIR GARAGE IN CALIFORNIA.
SO, AS FREDDIE'S FATHER WOULD SAY, GOOD THOUGHTS, GOOD WORDS,
GOOD DEEDS. THANK YOU.
[ APPLAUSE ]
>> PLEASE WELCOME DANIEL CRAIG AND ACADEMY AWARD WINNER
CHARLIZE THERON. [ APPLAUSE ]
>> AS ACTORS, WE SHOW UP, WE
WORK HARD, AND HOPEFULLY WE TAKE OUR JOBS SERIOUSLY WITHOUT
TAKING OURSELVES TOO SERIOUSLY. SERIOUSLY, CHARLIZE COULD KICK
MY -- WE ASPIRE TO TRANSFORM OURSELVES
INTO THE CHARACTERS WE PLAY, AND TO TRANSPORT THE MOVIEGOER IN
THE PROCESS. >> AMONG A SEA OF BRILLIANT
PERFORMANCES EACH YEAR, CERTAIN OF THEM STAND OUT FOR THEIR
ARTISTRY, THEIR HONESTY, AND THE MASTERFUL CHOICES MADE IN
INTERPRETING THE ROLE. WE HONOR THOSE INDIVIDUALS
TONIGHT. >> HERE ARE THE NOMINEES FOR
PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE.
>> MAHERSHALA ALI, "GREEN BOOK." >> I JUST PUT THE ATTORNEY
GENERAL OF THE UNITED STATES IN AN INCREDIBLY AWKWARD POSITION.
>> SO WHAT? THAT'S WHAT HE GETS PAID FOR.
>> THAT MAN AND HIS BROTHER ARE TRYING TO CHANGE THIS COUNTRY.
THAT'S WHAT ELSE HE HAS GOT TO DO.
>> NOW HE THINKS I'M SOME KIND OF -- CRAWLING FROM SOME
BACKWOODS SWAMP JAIL. WHO DOES THAT?
GARBAGE, THAT'S WHO. [ APPLAUSE ]
>> ADAM DRIVER, "BLACKKKLANSMAN."
>> I'M JEWISH, YES, BUT I WASN'T RAISED TO BE.
IT WASN'T PART OF MY LIFE. I NEVER THOUGHT MUCH ABOUT BEING
JEWISH, NOBODY AROUND ME WAS JEWISH.
I WASN'T GOING TO A BUNCH OF BAR MITZVAHS.
NOW I'M IN SOME BASEMENT. [ APPLAUSE ]
>> SAM ELLIOTT, "A STAR IS BORN."
>> IT ISN'T YOUR FAULT. IT JUST ISN'T.
YOU KNOW WHOSE FAULT IT WAS? JACK.
THAT'S IT. NO ONE ELSE.
[ APPLAUSE ] >> RICHARD E. GRANT, "CAN YOU
EVER FORGIVE ME?" >> SHE DIED.
>> SHE DID? THAT'S YOUNG.
>> MAYBE SHE DIDN'T DIE. MAYBE SHE JUST MOVED BACK TO THE
SUBURBS. I WAS CONFUSED.
THAT'S RIGHT, SHE GOT MARRIED AND HAD TWINS.
>> BETTER TO HAVE DIED. >> INDEED.
[ APPLAUSE ] >> SAM ROCKWELL, "VICE."
>> YOU'RE ONE OF THE MOST EXPERIENCED GUYS AROUND.
WILL YOU JUMP ONBOARD, BE MY VICE?
>> I'M HONORED. >> SAY YES.
>> I HAVE TO SAY NO. >> DICK, COME ON, WE'LL HAVE A
LOT OF FUN. WHAT ARE YOU DOING RIGHT NOW?
IN THE PRIVATE SECTOR? >> YEAH.
>> COME ON. I KNOW YOU LOVE POLITICS.
>> GEORGE, L. >> LET'S GO.
>> NOT GOING TO HAPPEN. >> COME ON, NOW.
[ APPLAUSE ] >> AND THE OSCAR GOES TO
MAHERSHALA ALI. [ CHEERS AND APPLAUSE ]
>> THIS IS THE SECOND OSCAR AND
SECOND NOMINATION FOR MAHERSHALA ALI.
HE TOOK HOME HIS FIRST OSCAR IN THIS CATEGORY FOR "MOONLIGHT."
[ CHEERS AND APPLAUSE ]
>> THE ACADEMY, THANK YOU. I WANT TO THANK DR. SHIRLEY FOR
JUST TRYING TO CAPTURE HIS ESSENCE.
JUST TRYING TO CAPTURE DR. SHIRLEY'S ESSENCE, PUSHED ME TO
MY ENDS. WHICH IS A REFLECTION OF THE
PERSON HE WAS AND THE LIFE THAT HE LIVED.
AND I THANK HIM. I THANK MY PARTNER, VIGGO.
IT WAS EXTRAORDINARY WORKING WITH YOU.
[ APPLAUSE ] PETER FAIRLEY, THANK YOU FOR
YOUR LEADERSHIP AND GUIDANCE. AND ALSO FOR GIVING US SPACE,
LIKE, REALLY GIVING US SPACE TO WORK IT OUT, AND COMING IN AND
TWEAKING. REALLY APPRECIATE AND LOVE YOU.
OCTAVIA SPENCER. [ APPLAUSE ]
CHRIS BOWERS, MY DOUBLE. I WANT TO DEDICATE THIS TO MY
GRANDMOTHER, WHO HAS BEEN IN MY EAR MY ENTIRE LIFE.
TELLING ME THAT IF I FIRST I DON'T SUCCEED, TRY, TRY AGAIN.
THAT I CAN DO ANYTHING I PUT MY MIND TO.
ALWAYS, ALWAYS PUSHING ME TO THINK POSITIVELY AND I KNOW THAT
I WOULD NOT BE HERE WITHOUT HER, THAT SHE'S GOTTEN ME OVER THE
HUMP IN A LOT OF WAYS. MY WIFE, MY DAUGHTER, EVERYONE
WHO CONTRIBUTED WITH THE MOVIE. AGAIN, THANK YOU SO MUCH.
APPRECIATE IT. [ CHEERS AND APPLAUSE ]
>> COMING UP NEXT, THE AWARD FOR
ANIMATED FEATURE. THEN LATER, A LOOK AT
"BOHEMIAN RHAPSODY" AND "ROMA." AND A PERFORMANCE OF "SHALLOW"
FROM "A STAR IS BORN." >> LAST YEAR, MOVIES TOOK US
ACROSS THE GLOBE, FROM THE MAGIC OF SINGAPORE, TO THE MYSTERIES
OF AFRICA, ENCHANTING US WITH THE JOY OF TRAVEL.
>>> LADIES AND GENTLEMEN, PLEASE WELCOME LAURA DERN.
>> GROWING UP IN LOS ANGELES, CAN YOU BELIEVE IT WAS ONLY A
DREAM THAT THERE WOULD EVER BE A PLACE WHERE PEOPLE COULD GO TO
IMMERSE THEMSELVES IN THE PASSION AND MAGIC OF MOVIES.
EVEN AS A CHILD OF ACTORS, THERE WAS NOTHING.
TRUST ME. BUT, GUESS WHAT, THE DREAM IS
HAPPENING. WHEN WE ENTER THE NEW ACADEMY
MUSEUM OF MOTION PICTURES, WE WILL OPEN A DOOR AND WALK INTO
THE TECHNICOLOR LAND OF OZ. WE WILL TRAVEL THROUGH THE
ANIMATED WORLD OF MIYAZAKI, PERHAPS ENCOUNTER THE SHARK FROM
"JAWS," AND SEE THE RUBY RED SLIPPERS.
THE DREAM IS A REALITY, NOT JUST FOR THE CHILD IN ME, BUT FOR ALL
OF US, FROM ALL AROUND THE WORLD.
COMING SOON. [ CHEERS AND APPLAUSE ]
>> PLEASE WELCOME MICHELLE YEOH AND OSCAR-NOMINATED COMPOSER AND
PRODUCER, PHARRELL WILLIAMS. [ CHEERS AND APPLAUSE ]
>> THE BIBLE SAYS, "WHEN I WAS A
CHILD, I SPOKE AS A CHILD, I UNDERSTOOD AS A CHILD, I THOUGHT
AS A CHILD. AND WHEN I BECAME A MAN, I PUT
AWAY CHILDISH THINGS." >> WHEN WE MOVE THROUGH
ADULTHOOD WE LOOK BACK FONDLY ON THOSE SIMPLER TIMES.
THE CREATIVITY WE EXHIBITED, OUR FEARLESSNESS, HOW WE APPROACHED
NEW THINGS WITH WONDER. >> THE FILMS NOMINATED FOR BEST
ANIMATED FEATURE POSSESS THE ABILITY TO MOVE US ALL.
NO NEED TO PUT THINGS AWAY, BUT INSTEAD EMBRACE AND ENJOY A
SHARED EXPERIENCE. >> HERE ARE THE NOMINEES FOR
BEST ANIMATED FEATURE FILM. >> "INCREDIBLES 2," BRAD BIRD,
JOHN WALKER, AND NICOLE PARADIS GRINDLE.
"ISLE OF DOGS," WES ANDERSON, SCOTT RUDIN, STEVEN RALES, AND
JEREMY DAWSON. "MIRAI," MAMORU HOSODA AND
YUICHIRO SAITO. "RALPH BREAKS THE INTERNET,"
RICH MOORE, PHIL JOHNSTON, AND CLARK SPENCER.
"SPIDER-MAN: INTO THE SPIDER-VERSE," BOB PERSICHETTI,
PETER RAMSEY, RODNEY ROTHMAN, PHIL LORD, AND
CHRISTOPHER MILLER. >> AND THE OSCAR GOES TO, YOU
WERE RIGHT. "SPIDER-MAN: INTO THE
SPIDER-VERSE." >> I WANTED TO DO THE NAMES.
>> BOB PERSICHETTI, PETER RAMSEY, RODNEY ROTHMAN,
PHIL LORD, AND CHRISTOPHER MILLER.
>> THIS IS THE FIRST OSCAR NOMINATION FOR BOB, PHIL,
RODNEY, PETER, AND CHRISTOPHER. >> THERE'S A LOT OF US.
>> WOW. >> HEY, WOW.
THANK YOU, ACADEMY. >> THANK YOU, SONY.
WE SHARE THIS WITH OUR FELLOW PRODUCERS, CAST, CREW, THERE'S
800 FILMMAKERS WHO TOOK RISKS TO MAKE PEOPLE FEEL POWERFUL AND
SEEN. >> SO, WHEN WE HEAR THAT
SOMEBODY'S KID WAS WATCHING THE MOVIE AND TURNED TO THEM AND
SAID, HE LOOKS LIKE ME, OR THEY SPEAK SPANISH LIKE US, WE FEEL
LIKE WE ALREADY WON. [ APPLAUSE ]
>> TO OUR AUDIENCE, THANK YOU SO MUCH.
WE LOVE YOU, AND WE JUST WANT YOU ALL TO KNOW, WE SEE YOU,
YOU'RE POWERFUL. THIS WORLD NEEDS YOU.
OKAY? THIS WORLD NEEDS YOU.
SO, PLEASE, WE'RE ALL COUNTING ON YOU.
THANK YOU. [ APPLAUSE ]
>> ON BEHALF OF EVERYONE, WE WANT TO THANK OUR FAMILIES, WHO
STAYED WITH US FOR FOUR YEARS ON THIS.
THIS IS FOR YOU. WE LOVE YOU ALL.
>> AND FINALLY -- [ APPLAUSE ]
>> PLEASE WELCOME KACEY
MUSGRAVES.
[ CHEERS AND APPLAUSE ] >> "THE BALLAD OF
BUSTER SCRUGGS" BROUGHT NEW LIFE INTO WESTERNS WITH ITS MIX OF
SATIRE, SENTIMENT, REALISM, AND ROMANCE.
ALL OF THESE QUALITIES ARE ON DISPLAY IN THIS HAUNTING SONG.
IT'S FRESH AND YET YOU FEEL LIKE YOU'VE HEARD IT YOUR WHOLE LIFE.
IT COULD HAVE BEEN AN ABSURD AND COMICAL MOMENT IN THE FILM, BUT
THE SONG ELEVATES IT INTO SOMETHING AUTHENTIC AND
BEAUTIFUL. HERE ARE THE WONDERFUL
GILLIAN WELCH AND DAVID RAWLINGS WITH THE OSCAR NOMINATED SONG,
"WHEN A COWBOY TRADES HIS SPURS FOR WINGS."
[ APPLAUSE ]
LET ME TELL YOU BUDDY
THERE'S A FASTER GUN COMING OVER YONDER
WHEN TOMORROW COMES LET ME TELL YOU BUDDY
AND IT WON'T BE LONG TILL YOU FIND YOURSELF SINGING
YOUR LAST COWBOY SONG YIPPEE KI-YI-YAY
WHEN THE ROUNDUP ENDS YIPPEE KI-YI-YAY
AND THE CAMPFIRE DIMS YIPPEE KI-YI-YAY
HE SHOUTS AND HE SINGS WHEN A COWBOY TRADES
HIS SPURS FOR WINGS
YIPPEE KI-YI-YAY I'M GLORY BOUND
NO MORE JINGLE JANGLE I'LL LAY MY GUNS DOWN
YIPPEE KI-YI-YAY HE SHOUTS AND HE SINGS
WHEN A COWBOY TRADES HIS SPURS FOR WINGS
[ CHEERS AND APPLAUSE ]
>> COMING UP, HIGHLIGHTS FROM BEST PICTURE NOMINEES
"BOHEMIAN RHAPSODY," "ROMA," "BLACKKKLANSMAN," AND "GREEN
BOOK." PLUS, MIKE MYERS AND DANA CARVEY
TOGETHER ONSTAGE, CHADWICK BOSEMAN, CONSTANCE WU,
>>> I THINK WE'LL GO WITH A LITTLE "BOHEMIAN RHAPSODY,"
GENTLEMEN. >> GOOD CALL.
MAMA MIA MAMA MIA LET ME GO THE DEVIL HAS A SITE SET ASIDE
FOR ME >> LADIES AND GENTLEMEN, PLEASE
WELCOME MIKE MYERS AND DANA CARVEY!
[ SCREAMING ] >> WE'RE NOT WORTHY!
>> I THINK I'M GONNA HURL. >> DON'T HURL.
'CAUSE IF YOU HONK, I'LL SPEW. >> IF YOU SPEW, I'LL BLOW
CHUNKS. SO I SHALL NOT HURL.
>> GOOD CALL. GOOD CALL.
BUT SERIOUSLY, "BOHEMIAN RHAPSODY" PLAYED A LARGE PART IN
THE SUCCESS OF "WAYNE'S WORLD." WE ARE HUMBLED TO BE ASSOCIATED
WITH THAT BRILLIANT SONG. >> IT IS OUR PLEASURE TO
INTRODUCE A BEST PICTURE NOMINEE THAT CELEBRATES THE LIFE OF
FREDDIE MERCURY THROUGH THE GENIUS OF QUEEN'S MUSIC.
LADIES AND GENTLEMEN -- >> Both: "BOHEMIAN RHAPSODY!"
[ APPLAUSE ] >> I KNOW THEY'RE LISTENING.
I'M NOT AFRAID OF ANYTHING. NO ONE WILL PLAY QUEEN.
FORTUNE FAVORS THE BOLD. >> THOUGHTS, GOOD WORDS, GOOD
DEEDS. THAT'S WHAT YOU SHOULD ASPIRE
TO. >> I NEED SOME TIME.
>> YOU DON'T HAVE TIME.
[ APPLAUSE ] >> PLEASE WELCOME AWKWAFINA AND
JOHN MULANEY.
[ APPLAUSE ] >> OKAY.
>> OH, YEAH, JOHN. YOU'RE HERE, TOO?
THAT'S GOOD. >> THEY TOLD ME BACKSTAGE YOU'RE
DOING THIS WITH AWKWAFINA AND I WAS LIKE, THANK GOD I'M NOT
PRESENTING ALONE. >> THIS IS MY FIRST TIME EVER AT
THE OSCARS, LIKE, EVER. >> THIS IS MY FIRST TIME AT THE
OSCARS, TOO. >> OH, MY GOD.
>> YES! >> YES.
I'M HAVING A PANIC ATTACK. >> I'M SO SCARED.
WHY AM I SO SCARED? YOU SEE THE COMMERCIALS LIKE,
THE OSCARS, IT'S HOLLYWOOD'S BIGGEST NIGHT, AND I'M ALWAYS
LIKE, "WHATEVER, SHUT UP." AND I'M HERE, AND I'M LIKE, THIS
IS HOLLYWOOD'S BIGGEST NIGHT. I WANT THEM TO LIKE ME TO A
DEGREE THAT I FIND EMBARRASSING. >> WHO WERE YOU MOST NERVOUS TO
SEE? BECAUSE WHEN I WALKED OUT, I SAW
SPIKE LEE, AND I WAS LIKE, "WHAT?"
>> THAT'S WHAT YOU SAID? >> I WAS LIKE --
>> THAT'S GREAT. DO YOU KNOW WHO I SAW AND I
LEGIT FREAKED OUT? JORDAN PEELE.
>> DON'T YOU KNOW HIM? >> YEAH, THAT'S WHY IT'S WEIRD.
>> ALL RIGHT, THIS IS AWESOME. LET'S DO THIS.
WE ARE HERE TO PRESENT THE AWARD FOR BEST ANIMATED SHORT.
>> DUDE, THEY GAVE US ONE OF THE BIG ONES.
>> IT'S A BIG ONE. >> ALL RIGHT.
>> IT'S A BIG ONE. HERE ARE THE NOMINEES FOR BEST
ANIMATED SHORT FILM. >> "ANIMAL BEHAVIOUR,"
ALISON SNOWDEN AND DAVID FINE. "BAO," DOMEE SHI AND
BECKY NEIMAN-COBB. "LATE AFTERNOON," LOUISE BAGNALL
AND NURIA GONZLEZ BLANCO. "ONE SMALL STEP,"
ANDREW CHESWORTH AND BOBBY PONTILLAS.
"WEEKENDS," TREVOR JIMENEZ. >> AND THE OSCAR GOES TO "BAO."
[ CHEERS AND APPLAUSE ]
>> THIS IS THE FIRST OSCAR AND NOMINATION FOR DOMEE AND BECKY.
ACADEMY AWARDS IN THIS CATEGORY HAVE BEEN PRESENTED SINCE 1932.
[ APPLAUSE ]
>> CONGRATULATIONS. >> CONGRATULATIONS.
>> OKAY, HOLY -- IT'S OUR FIRST TIME, TOO.
THANK YOU TO THE ACADEMY, THANK YOU TO MY FELLOW NOMINEES, THANK
YOU FOR SUPPORTING SHORTS. TO ALL OF THE NERDY GIRLS WHO
HIDE BEHIND THEIR SKETCHBOOKS, DON'T BE AFRAID TO TELL YOUR
STORIES TO THE WORLD. YOU'RE GOING TO FREAK PEOPLE
OUT, BUT YOU'LL PROBABLY CONNECT WITH THEM, TOO, AND THAT'S AN
AMAZING FEELING TO HAVE. THANK YOU TO PETE FOR BELIEVING
IN MY WEIRDNESS, AND GIVING ME A VOICE AT THE STUDIO.
AND THANK YOU TO MY MOM AND MY DAD, MY MUSES, AND MY PARTNER
DARREN FOR BEING THERE WITH ME. >> WE WANT TO THANK THE
ENTIRE "BAO" CREW, THEY BROUGHT THEIR HEART TO THE SHORT.
AND EVERYONE AT PIXAR, DISNEY, TO MY FRIENDS AND FAMILY,
PARENTS AND SISTER. I LOVE YOU SO MUCH.
I GOT TO HELP MAKE A SHORT THAT WAS ABOUT A MOTHER JUST AS I WAS
BECOMING ONE. TO MY LITTLE BAO LUCY AND TO
DEANNE, I LOVE YOU. WITHOUT YOU, NONE OF THIS WOULD
BE POSSIBLE. [ APPLAUSE ]
>> WHY ARE WE STILL HERE? WHY ARE WE STILL HERE?
WE'RE DOING ANOTHER ONE. >> YES, DOCUMENTARY SHORT
SUBJECT. >> THAT'S A GOOD ONE.
THAT'S A GOOD ONE. >> HERE ARE THE NOMINEES.
>> "BLACK SHEEP," ED PERKINS AND JONATHAN CHINN.
"END GAME," ROB EPSTEIN AND JEFFREY FRIEDMAN.
"LIFEBOAT," SKYE FITZGERALD AND BRYN MOOSER.
"A NIGHT AT THE GARDEN," MARSHALL CURRY.
"PERIOD. END OF SENTENCE." RAYKA ZEHTABCHI AND
MELISSA BERTON. >> AND THE OSCAR GOES
TO "PERIOD. END OF SENTENCE."
>> THIS IS THEIR FIRST OSCAR NOMINATION.
[ CHEERS AND APPLAUSE ]
>> OH, MY GOD. I'M NOT CRYING BECAUSE I'M ON MY
PERIOD OR ANYTHING. I CAN'T BELIEVE A FILM ABOUT
MENSTRUATION JUST WON AN OSCAR. [ CHEERS AND APPLAUSE ]
THANK YOU. THANK YOU, NETFLIX, FOR GIVING
US A PLATFORM, THANK YOU TO MY CREATIVE PARTNER, SAM, I SHARE
THIS WITH YOU. THANK YOU TO MY MOM AND SISTER,
I LOVE YOU. TO LISA AND GARRETT.
TO THE WOMEN, KNOW THAT YOU ARE EMPOWERING WOMEN ALL OVER THE
WORLD TO FIGHT FOR MENSTRUAL EQUALITY.
[ APPLAUSE ] >> THIS FILM BEGAN BECAUSE HIGH
SCHOOL STUDENTS HERE AND OUR GREAT PARTNERS AT ACTION INDIA
WANTED TO MAKE A HUMAN RIGHTS DIFFERENCE.
I SHARE THIS AWARD WITH THE FEMINIST MAJORITY FOUNDATION.
WITH THE ENTIRE PAD PROJECT TEAM.
WITH THE OAKWOOD SCHOOL. I SHARE THIS -- I SHARE THIS
WITH TEACHERS AND WITH STUDENTS AROUND THE WORLD.
A PERIOD SHOULD END A SENTENCE, NOT A GIRL'S EDUCATION.
[ CHEERS AND APPLAUSE ]
>> SOME OF THE BIGGEST AWARDS OF THE NIGHT ARE AHEAD.
AND RIGHT NOW, WE'RE HEADING TO THE BACKSTAGE GREEN ROOM TO SEE
THE STARS AS THEY GET READY TO GO ONSTAGE, AND WHERE THE
WINNERS COME TO CELEBRATE AFTER THEIR BIG MOMENT.
COMING UP NEXT, DIEGO LUNA, JOSE ANDRES, PAUL RUDD, AND
SARAH PAULSON. PLUS, A PERFORMANCE OF "SHALLOW"
BY LADY GAGA AND BRADLEY COOPER.
>>> PLEASE WELCOME DIEGO LUNA AND CHEF JOSE ANDRES.
[ APPLAUSE ] [ SPEAKING FOREIGN LANGUAGE ]
>> I'M A CHEF. I FOLLOW THE RECIPE.
[ SPEAKING FOREIGN LANGUAGE ] >> SO, PEOPLE OF THE WORLD, EACH
PERSON'S LIFE IS A RECIPE ALL ON ITS OWN.
WITH DIFFERENT MEASURES OF JOY AND SADNESS, STRUGGLE AND
SUCCESS, LOVE AND LOSS. THE RESULTS ARE UNIQUE EVERY
TIME, EVEN THOUGH ALL OF THE INGREDIENTS ARE UNIVERSAL.
>> IN "ROMA," ALFONSO CUARON PRESENTS AN HONEST AND VITAL
PORTRAIT OF THE MEXICO CITY OF HIS CHILDHOOD.
A PLACE FULL OF CONTRASTS AND CONTRADICTIONS.
THIS IS A STORY OF LONELY WOMEN AND ABSENT MEN, OF PAINFUL CLASS
DIVISIONS AND RACIAL DYNAMICS, BUT LOVE IS WHERE EVERYONE
MEETS. >> AND THIS BEAUTIFUL, INTIMATE
FILM, ONE THAT GIVES A VOICE TO THE VOICELESS, REMINDS US OF THE
UNDERSTANDING AND COMPASSION THAT WE ALL OWE TO THE INVISIBLE
PEOPLE IN OUR LIVES WHO MOVE HUMANITY FORWARD.
IMMIGRANTS AND WOMEN. [ CHEERS AND APPLAUSE ]
[ SPEAKING FOREIGN LANGUAGE ]
[ CHEERS AND APPLAUSE ]
>> PLEASE WELCOME PAUL RUDD AND SARAH PAULSON.
[ APPLAUSE ]
>> IN "DUCK SOUP," CHICO MARX ASKS, "WHO ARE YOU GOING TO
BELIEVE? ME OR YOUR OWN EYES?"
WHEN IT COMES TO VISUAL EFFECTS, THE ANSWER'S NOT SO SIMPLE.
>> TODAY'S EFFECTS ARTISTS COLLABORATE WITH EVERY OTHER
DEPARTMENT TO CONVINCE AUDIENCES OF EVEN THE MOST IMPLAUSIBLE
REALITIES. THIS IS THE KIND OF MAGIC THAT
ALLOWS THE AUDIENCE TO BELIEVE I WAS ACTUALLY OBLITERATED BY A
TRUCK IN "BIRD BOX." >> AND THE SAME KIND OF MAGIC
THAT ALLOWS THE AUDIENCE TO BELIEVE THAT I'M AN ACTOR.
>> HERE ARE THIS YEAR'S NOMINEES FOR ACHIEVEMENT IN VISUAL
EFFECTS. >> "AVENGERS: INFINITY WAR,"
DAN DELEEUW, KELLY PORT, RUSSELL EARL, AND DAN SUDICK.
"CHRISTOPHER ROBIN," CHRISTOPHER LAWRENCE,
MICHAEL EAMES, THEO JONES, AND CHRIS CORBOULD.
"FIRST MAN," PAUL LAMBERT, IAN HUNTER, TRISTAN MYLES, AND
J.D. SCHWALM. "READY PLAYER ONE,"
ROGER GUYETT, GRADY COFER, MATTHEW E. BUTLER, AND DAVID
SHIRK. "SOLO: A STAR WARS STORY,"
ROB BREDOW, PATRICK TUBACH, NEAL SCANLAN, AND DOMINIC TUOHY.
>> AND THE OSCAR GOES TO "FIRST MAN."
PAUL LAMBERT, IAN HUNTER, TRISTAN MYLES, AND J.D. SCHWALM.
>> THIS IS THE FIRST OSCAR NOMINATION FOR TRISTAN AND J.D.
THE SECOND TIME FOR PAUL AND IAN.
>> OH, MY GOODNESS. A TRULY MAGNIFICENT MOMENT, AND
TO BE RECOGNIZED BY THE ACADEMY IS THAT MUCH MORE SPECIAL.
THANKS TO KEVIN AND JENNIFER, THANK YOU TO DAMIAN, WHO IS AN
INSPIRATION.
AND OUR AMAZING CAST, AND LINUS, TOM, JUSTIN, MILDRED, WHO MADE
THIS FILM SO MEMORABLE. AND A BIG SHOUT-OUT TO THE TEAM
IN VANCOUVER. >> THANK YOU TO DAMIAN, MY WIFE,
MY TWO BOYS, AND MY DAD, WHO TAUGHT ME HOW TO PUT THE MAGIC
IN MOVIES. >> THANKS TO THE CREW, WITHOUT
WHOSE HARD WORK WE WOULDN'T BE HERE TONIGHT.
THANKS TO MY WIFE AND OUR CHILDREN FOR ALL THEIR SUPPORT
OVER THE YEARS. >> AND IT'S AN HONOR, IT'S
HUMBLING TO HONOR NEAL ARMSTRONG AND ALL THE MEN AND WOMEN AT
NASA. THANK YOU SO MUCH.
[ APPLAUSE ]
[ CHEERS AND APPLAUSE ]
TELL ME SOMETHIN' GIRL
ARE YOU HAPPY IN THIS MODERN WORLD
OR DO YOU NEED MORE IS THERE SOMETHIN' ELSE
YOU'RE SEARCHIN' FOR I'M FALLING
IN ALL THE GOOD TIMES I FIND MYSELF LONGIN'
FOR CHANGE AND IN THE BAD TIMES
I FEAR MYSELF [ CHEERS AND APPLAUSE ]
TELL ME SOMETHING BOY
AREN'T YOU TIRED TRYIN' TO FILL THAT VOID
OR DO YOU NEED MORE AIN'T IT HARD
KEEPING IT SO HARDCORE I'M FALLING
IN ALL THE GOOD TIMES I FIND MYSELF LONGING
FOR CHANGE AND IN THE BAD TIMES
I FEAR MYSELF I'M OFF THE DEEP END
WATCH AS I DIVE IN I'LL NEVER MEET THE GROUND
CRASH THROUGH THE SURFACE WHERE THEY CAN'T HURT US
WE'RE FAR FROM THE SHALLOW NOW
IN THE SHA-HA SHA-HA-LOW
IN THE SHA-HA SHA-LA-LA-LA-LOW
IN THE SHA-HA SHA-HA-LOW
WE'RE FAR FROM THE SHALLOW NOW
OH OH OH OH OH OH
OH OH OH I'M OFF THE DEEP END
WATCH AS I DIVE IN I'LL NEVER MEET THE GROUND
CRASH THROUGH THE SURFACE WHERE THEY CAN'T HURT US
WE'RE FAR FROM THE SHALLOW NOW IN THE SHA-HA
SHA-HA-LOW IN THE SHA-SHA-LA-LA-LA-LOW
IN THE SHA-HA SHA-HA-LOW
WE'RE FAR FROM THE SHALLOW NOW
[ CHEERS AND APPLAUSE ]
>> COMING UP, THE OSCARS FOR ORIGINAL AND ADAPTED
SCREENPLAYS. THEN LATER, WE'LL FIND OUT WHO
BRINGS HOME THE OSCARS FOR BEST ACTOR AND ACTRESS.
PLUS, BRIE LARSON, SAMUEL L. JACKSON,
TESSA THOMPSON, >>> PLEASE WELCOME
KRYSTEN RITTER AND KIKI LAYNE. [ APPLAUSE ]
>> THIS YEAR'S SHORT FILMS ARE
INNOVATIVE, PROFOUNDLY MOVING, AND WORTHY OF NOMINATIONS IN
EVERY CATEGORY. >> SET IN LOCATIONS AROUND THE
WORLD, THEY SHOW US THE BEST AND WORST IN OURSELVES.
IF YOU LOVE MOVIES, YOU NEED TO SEE THEM.
>> HERE ARE THE NOMINEES FOR BEST LIVE ACTION SHORT FILM.
>> "DETAINMENT," VINCENT LAMBE AND DARREN MAHON.
"FAUVE," JEREMY COMTE AND MARIA GRACIA TURGEON.
"MARGUERITE," MARIANNE FARLEY AND MARIE-HELENE PANISSET.
"MOTHER," RODRIGO SOROGOYEN AND MARIA DEL PUY ALVARADO.
"SKIN," GUY NATTIV AND JAIME RAY NEWMAN.
>> AND THE OSCAR GOES TO -- YES! "SKIN," GUY NATTIV AND
JAIME RAY NEWMAN. >> THIS IS THE FIRST OSCAR AND
NOMINATION FOR GUY AND JAIME RAY.
ACADEMY AWARDS FOR LIVE ACTION SHORT FILMS HAVE BEEN PRESENTED
FOR OVER 80 YEARS.
[ APPLAUSE ] >> YES!
OH, MY GOD! >> OH, MY GOD.
I MOVED HERE FIVE YEARS AGO FROM ISRAEL.
AND MY GRANDPARENTS ARE HOLOCAUST SURVIVORS.
WE SEE BIGOTRY EVERY DAY IN AMERICA AND EUROPE, AND THIS
FILM IS ABOUT EDUCATION, IT'S ABOUT TEACHING YOUR KIDS A
BETTER WAY. >> WE DEDICATE THIS TO OUR --
OH, MY GOD, OUR 5-MONTH-OLD BABY, AT HOME WITH MY PARENTS.
WE HOPE YOU GROW UP IN A WORLD WHERE THESE THINGS DON'T HAPPEN,
BECAUSE PEOPLE LEARN TO LOVE EACH OTHER.
I WANT THIS THANK OUR TEAM, EVERYONE AT FOX SEARCHLIGHT.
WE LOVE YOU. YES!
>> WHOO! [ CHEERS AND APPLAUSE ]
>> PLEASE WELCOME
ACADEMY AWARD-NOMINATED ACTOR, SAMUEL L. JACKSON, AND
ACADEMY AWARD WINNER, BRIE LARSON.
[ CHEERS AND APPLAUSE ]
>> FIRST OF ALL, SPIKE, SO GLAD YOU'RE SITTING DOWN.
AFTER 18 CONSECUTIVE HOME LOSSES, THE KNICKS WON TONIGHT.
I REPEAT, THE KNICKS WON TONIGHT.
DEFEATING SAN ANTONIO, 130-118. >> AND NOW, TO GET BACK
ON-SCRIPT. THE LEGENDARY FILMMAKER
FRANK CAPRA SAID, SCRIPTWRITING IS THE TOUGHEST PART OF THE
WHOLE RACKET, THE LEAST UNDERSTOOD, AND THE LEAST
NOTICED. >> OH, WE NOTICE.
>> OF COURSE. >> WE NOTICE.
>> BRIE AND I DON'T SHOW UP ON A MOVIE SET AND AD LIB FOR
12 HOURS. WE'RE NOT WINGING IT.
WE NEED WORDS. WHICH IS WHY WE TRULY APPRECIATE
WHAT THE LATE, GREAT WILLIAM GOLDMAN SAID ABOUT HIS
CRAFT. THE LATEST -- THE EASIEST THING
TO DO ON EARTH IS NOT TO WRITE. >> TRUTH.
LUCKILY, THESE WRITERS TOOK THE HARD PATH.
THEY ARE THE NOMINEES FOR ORIGINAL SCREENPLAY.
>> "THE FAVOURITE," WRITTEN BY DEBORAH DAVIS AND TONY McNAMARA.
"FIRST REFORMED," WRITTEN BY PAUL SCHRADER.
"GREEN BOOK," WRITTEN BY NICK VALLELONGA, BRIAN CURRIE,
PETER FARRELLY. "ROMA," WRITTEN BY
ALFONSO CUARON. "VICE," WRITTEN BY ADAM McKAY.
>> YEAH, I DID IT. >> ALL RIGHT.
AND THE OSCAR GOES TO -- NICK VALLELONGA, BRIAN CURRIE,
PETER FARRELLY FOR "GREEN BOOK."
. >> THEY ARE ALSO NOMINATED IN
THE BEST PICTURE CATEGORY.
>> I'D LIKE TO THANK UNIVERSAL STUDIOS, DREAMWORKS.
AS WRITERS, WHEN YOU HAVE MAHERSHALA ALI, VIGGO MORTENSEN,
AND LINDA CARDELLINI SAYING YOUR WORDS, YOU PINCH YOURSELF.
I WANT TO THANK MY FAMILY, AND PARTICULARLY GEORGE AND IRENE,
THE BEST PARENTS ANYBODY COULD HAVE.
>> THEY SAY IF YOU WANT TO GO SOMEWHERE FAST, GO ALONE.
IF YOU WANT TO GO FAR, GO TOGETHER.
I HAVE A LOT OF PEOPLE TO THANK. STARTING WITH THE ENTIRE STATE
OF RHODE ISLAND. THANK YOU VERY MUCH.
I WANT TO THANK VIGGO, MAHERSHALA, AND LINDA.
I WANT TO THANK MY WIFE, KIDS, BOB, RICHARD, JOE, PETER,
AMANDA, STACEY, JONATHAN, ROBERT, J.B., CHARLIE, JIM, TED,
SHAWN, TOM, AND SHINOLA WATCHES, UNBELIEVABLE, THEY'RE SAVING
DETROIT. AND I WANT TO THANK MY BROTHER,
AND BENNETT, I'M NOTHING WITHOUT YOU.
>> THANK YOU FOR VOTING FOR US, THANK YOU TO THE OTHER AMAZING
NOMINEES. THIS IS AN AMAZING ROOM OF
FILMMAKERS. EMBRACE OURSELVES AND LOVE EACH
OTHER. THANK YOU ALL.
MY MOTHER AND FATHER, I LOVE YOU, WE DID IT.
[ APPLAUSE ] >> OKAY.
>> AND NOW, HERE ARE THE NOMINEES FOR BEST ADAPTED
SCREENPLAY. >> CORRECT.
>> "THE BALLAD OF BUSTER SCRUGGS," WRITTEN BY
JOEL COEN AND ETHAN COEN. "ALL GOLD CANYON" IS BASED ON A
STORY BY JACK LONDON. "THE GAL WHO GOT RATTLED" IS
INSPIRED BY A STORY BY STEWART EDWARD WHITE.
"BLACKKKLANSMAN," WRITTEN BY CHARLIE WACHTEL AND
DAVID RABINOWITZ AND KEVIN WILLMOTT AND SPIKE LEE.
BASED ON THE BOOK BY RON STALLWORTH.
"CAN YOU EVER FORGIVE ME?" SCREENPLAY BY NICOLE HOLOFCENER
AND JEFF WHITTY. BASED ON THE BOOK BY LEE ISRAEL.
"IF BEALE STREET COULD TALK," WRITTEN FOR THE SCREEN BY
BARRY JENKINS. BASED ON THE BOOK BY
JAMES BALDWIN. "A STAR IS BORN," SCREENPLAY BY
ERIC ROTH AND BRADLEY COOPER AND WILL FETTERS.
BASED ON THE 1954 SCREENPLAY BY MOSS HART AND THE
1976 SCREENPLAY BY JOHN GREGORY DUNNE AND
JOAN DIDION AND FRANK PIERSON. BASED ON A STORY BY
WILLIAM WELLMAN AND ROBERT CARSON.
>> OKAY. AND THE OSCAR GOES TO --
>> OH! CHARLIE WACHTEL,
DAVID RABINOWITZ, KEVIN WILLMOTT AND SPIKE LEE.
>> IT'S THE FIRST NOMINATION FOR CHARLIE, DAVID, AND KEVIN.
IT'S THE FIRST WIN FOR SPIKE LEE.
>> ALL RIGHT. [ CHEERS AND APPLAUSE ]
ALL RIGHT. I WANT TO THANK TANYA, THE WORD
TODAY IS IRONY. THE DATE, THE 24th.
THE MONTH, FEBRUARY, WHICH ALSO HAPPENS TO BE THE SHORTEST MONTH
OF THE YEAR. WHICH ALSO HAPPENS TO BE BLACK
HISTORY MONTH. THE YEAR, 2019.
THE YEAR, 1619. HISTORY, HERSTORY.
1619, 2019. 400 YEARS, OUR ANCESTORS WERE
STOLEN FROM AFRICA AND ENSLAVED. THEY WORKED THE LAND FROM
MORNING TO NIGHT. MY GRANDMOTHERS, WHO LIVED 100
YEARS YOUNG, A COLLEGE GRADUATE EVEN THOUGH HER MOTHER WAS A
SLAVE. MY GRANDMOTHER, WHO SAVED 50
YEARS OF SOCIAL SECURITY CHECKS TO PUT ME THROUGH COLLEGE.
SHE CALLED ME SPIKY POO. SHE PUT ME THROUGH FILM SCHOOL.
NYU! BEFORE THE WORLD TONIGHTS I GIVE
PRAISE TO MY ANCESTORS WHO BUILT OUR COUNTRY, ALONG WITH THE
GENOCIDE OF OUR NATIVE PEOPLE. WE ALL CONNECT WITH ANCESTORS,
TO REGAIN OUR HUMANITY. IT WILL BE A POWERFUL MOMENT.
THE 2020 PRESIDENTIAL ELECTION IS AROUND THE CORNER.
[ APPLAUSE ] LET'S ALL MOBILIZE, LET'S ALL BE
ON THE RIGHT SIDE OF HISTORY. MAKE THE MORAL CHOICE BETWEEN
LOVE VERSUS HATE. LET'S DO THE RIGHT THING!
YOU KNOW I HAD TO GET THAT IN THERE.
[ CHEERS AND APPLAUSE ]
>> COMING UP, BARBRA STREISAND, AND A LOOK AT THE FINAL TWO BEST
PICTURE NOMINEES, "BLACKKKLANSMAN" AND
"GREEN BOOK." THEN LATER, THE OSCARS FOR BEST
ACTOR AND ACTRESS. AND JULIA ROBERTS PRESENTS BEST
PICTURE. PLUS, CHADWICK BOSEMAN,
CONSTANCE WU, AND OSCAR WINNERS
>>> WELCOME BACK TO THE OSCARS AT THE DOLBY THEATRE.
TONIGHT'S BAND IS LED BY MUSIC DIRECTOR RICKEY MINOR.
AND NOW, PLEASE WELCOME TESSA THOMPSON AND MICHAEL B. JORDAN.
[ APPLAUSE ]
>> THE SCORE SERVES AS A MUSICAL THROUGHLINE THAT IMPACTS OUR
FEELINGS IN ANY GIVEN SCENE. >> LIKE WHEN WE HEAR THIS OSCAR
WINNING SCORE --
>> IT'S TIME TO TAKE MY -- OUT OF THE WATER, BECAUSE SOMETHING
BAD IS PROBABLY GOING TO HAPPEN IN THE OCEAN.
>> BUT YOU CAN SWIM, RIGHT? >> YEAH, WHY WOULD YOU ASK THAT?
>> BECAUSE A LOT OF PEOPLE DON'T KNOW THAT ABOUT US.
>> TOUCHE, TOUCHE. HOW ABOUT THIS?
>> WE KNOW PEOPLE ARE GOING TO
FALL IN LOVE BEFORE SOMETHING ELSE BAD HAPPENS IN THE OCEAN.
A GREAT SCORE MOVES US AS AN AUDIENCE.
>> WHILE REMINDING US THAT REALLY BAD THINGS CAN HAPPEN IN
THE OCEAN. >> HERE ARE THE NOMINEES FOR
BEST ORIGINAL SCORE. "BLACK PANTHER."
"BLACKKKLANSMAN." "IF BEALE STREET COULD TALK."
"ISLE OF DOGS." "MARY POPPINS RETURNS."
[ APPLAUSE ] >> AND THE OSCAR GOES TO LUDWIG
GORANSSON AND "BLACK PANTHER." >> THIS IS HIS FIRST OSCAR
NOMINATION. >> THANK YOU.
[ APPLAUSE ] >> WOW.
THANK YOU, RYAN COOGLER. RYAN, RYAN, WORKING WITH YOU HAS
BEEN AN INCREDIBLE HONOR. I REMEMBER 12 YEARS AGO, WE WERE
SITTING IN OUR DORM AT UC, WRITING YOUR FIRST, THE SCORE
FOR YOUR FIRST SHORT FILM. 12 YEARS LATER, WE'RE HERE, YOU
KNOW, CELEBRATING ONE OF THE MOST IMPORTANT CINEMATIC MOMENTS
IN HISTORY. I WANT TO SHARE THIS AWARD WITH
ALL OF THE INCREDIBLE AFRICAN ARTISTS THAT I WORKED WITH ON
THE SCORE. AND ALL THE CLASSICAL MUSICIANS
IN LONDON THAT RECORDED ON THE SCORE.
AND EVERYONE ELSE, I WANT TO SHARE THIS WITH MY MOM, DAD, AND
SISTER, THAT INSISTED I PLAY GUITAR.
AND MY WIFE, I LOVE YOU SO MUCH, THANK YOU.
[ APPLAUSE ]
>> PLEASE WELCOME CONSTANCE WU AND CHADWICK BOSEMAN.
[ APPLAUSE ]
>> "OVER THE RAINBOW" AND THE THEME FROM "SHAFT."
>> "MONA LISA" AND "LOSE YOURSELF."
>> "THE WAY WE WERE" AND "MAN OR MUPPET."
>> "STREETS OF PHILADELPHIA" AND "REMEMBER ME."
THE ONLY THING THESE SONGS COULD POSSIBLY HAVE IN COMMON IS THE
PLACE THEY'VE EARNED IN HISTORY AS ACADEMY AWARD WINNERS.
TONIGHT, ANOTHER WILL JOIN THEIR RANKS.
>> THIS YEAR'S NOMINATED SONGS ARE AS ECLECTIC AND
STYLISTICALLY DISTINCTIVE AS THE STORIES THEY TELL.
>> ONCE AGAIN, HERE ARE THIS YEAR'S NOMINEES FOR BEST
ORIGINAL SONG. >> "ALL THE STARS," FROM "BLACK
PANTHER." "I'LL FIGHT," FROM "RBG."
"THE PLACE WHERE LOST THINGS GO," FROM "MARY POPPINS
RETURNS." "SHALLOW," FROM "A STAR IS
BORN." "WHEN A COWBOY TRADES HIS SPURS
FOR WINGS," FROM "THE BALLAD OF BUSTER SCRUGGS."
[ APPLAUSE ] >> AND THE OSCAR GOES
TO "SHALLOW". >> THIS IS THEIR FIRST OSCAR
NOMINATION, THE FIRST WIN AND THIRD NOMINATION FOR LADY GAGA,
WHO IS ALSO NOMINATED IN THE LEADING ACTRESS CATEGORY.
[ CHEERS AND APPLAUSE ]
>> THANK YOU SO MUCH. THANK YOU SO MUCH.
TO THE ACADEMY FOR THIS WONDERFUL HONOR, THANK YOU TO
EVERY PERSON IN THE ROOM, TO MARC, ANTHONY, ANDREW, MY
CO-WRITERS, I LOVE THEM SO MUCH. TO MY SISTER, MY SOUL MATE, I
LOVE YOU. MY FAMILY'S HERE.
I LOVE YOU, MOM AND DAD. BRADLEY.
THERE'S NOT A SINGLE PERSON ON THE PLANET THAT COULD HAVE SANG
THIS SONG WITH ME BUT YOU. THANK YOU FOR BELIEVING IN US.
THANK YOU SO MUCH. [ APPLAUSE ]
AND IF YOU ARE AT HOME AND YOU'RE SITTING ON YOUR COUCH,
AND YOU ARE WATCHING THIS RIGHT NOW, ALL I HAVE TO SAY IS THAT
THIS IS HARD WORK. I'VE WORKED HARD FOR A LONG
TIME, AND IT'S NOT ABOUT, YOU KNOW, IT'S NOT ABOUT WINNING.
BUT WHAT IT'S ABOUT IS NOT GIVING UP.
IF YOU HAVE A DREAM, FIGHT FOR IT.
THERE'S A DISCIPLINE FOR PASSION, AND IT'S NOT ABOUT HOW
MANY TIMES YOU GET REJECTED OR YOU FALL DOWN, OR YOU'RE BEATEN
UP. IT'S ABOUT HOW MANY TIMES YOU
STAND UP, AND ARE BRAVE, AND YOU KEEP GOING.
THANK YOU. [ APPLAUSE ]
>> ONLY BECAUSE YOU CAN'T REALLY THANK YOURSELF, I THINK WHEN
YOU'RE IN THE ROOM WITH THIS PERSON, YOU DON'T HAVE TO DO TOO
MUCH. SHE ACTS, WRITES, SINGS THE
SONG. LADY GAGA, WE SALUTE YOU FOR
THIS. [ APPLAUSE ]
>> PLEASE WELCOME THE PRESIDENT OF THE ACADEMY OF MOTION PICTURE
ARTS AND SCIENCES, JOHN BAILEY. [ APPLAUSE ]
>> THIS EVENING, WE CELEBRATE THE ACHIEVEMENTS NOT ONLY OF OUR
AWARD WINNERS, BUT ALL 212 NOMINEES OF THE ACADEMY'S
CLASS OF 2018. WE ALSO PAUSE TO HONOR ALL THOSE
ARTISTS WHO HAVE LEFT US SINCE OUR LAST AWARDS CEREMONY, THE
MEN AND WOMEN WHOSE MOVIES HAVE SO ENTERTAINED AND INSPIRED US.
ONLY A FEW OF THEM CAN BE HIGHLIGHTED HERE.
BUT LET'S NOW GIVE TRIBUTE TO ALL THEIR EXTRAORDINARY LIVES
AND WORKS IN THIS MUSIC OF JOHN WILLIAMS, WITH THE LOS ANGELES
PHILHARMONIC CELEBRATING ITS CENTENNIAL YEAR UNDER THE
DIRECTION OF MAESTRO GUSTAVO DUDAMEL.
[ CHEERS AND APPLAUSE ]
[ APPLAUSE ]
>>> IN NOVEMBER, THE ACADEMY HELD THE GOVERNOR'S AWARDS.
HONORARY OSCARS WERE PRESENTED TO ACTRESS CICELY TYSON,
COMPOSER LALO SCHIFRIN AND PUBLICIST MARVIN LEVY.
THE THALBERG AWARD WENT TO PRODUCERS KATHLEEN KENNEDY AND
FRANK MARSHALL. KENNEDY IS THE FIRST WOMAN TO
RECEIVE THE THALBERG. AND ON FEBRUARY 9th, DAVID
OYELOWO HOSTED THE ACADEMY'S ANNUAL SCI-TECH AWARDS.
NINE SCIENTIFIC AND TECHNICAL ACHIEVEMENTS REPRESENTED BY
27 INDIVIDUAL AWARD RECIPIENTS WERE HONORED THAT NIGHT.
AND NOW, PLEASE WELCOME TWO-TIME ACADEMY AWARD WINNER, BARBRA
STREISAND. [ CHEERS AND APPLAUSE ]
>> THANK YOU SO MUCH.
THANK YOU. THANK YOU.
WHEN I FIRST SAW
"BLACKKKLANSMAN," I WAS STUNNED AND WAS VERY EXCITED, AND WAS
VERY MOVED. IT HAD EVERYTHING A GREAT FILM
SHOULD HAVE. IT WAS SO REAL, SO FUNNY, AND
YET SO HORRIFYING, BECAUSE IT WAS BASED ON THE TRUTH.
AND TRUTH IS ESPECIALLY PRECIOUS THESE DAYS.
[ APPLAUSE ] I HAD TO -- THANK YOU.
SO, I HAD TO TWEET ABOUT IT, YOU KNOW, ABOUT HOW GOOD IT WAS.
AND THEN I GOT A LOVELY THANK YOU FROM SPIKE HIMSELF.
THE CONVERSATION AFTER THAT WAS VERY EASY, BECAUSE WE WERE BOTH
RAISED IN BROOKLYN. [ CHEERS AND APPLAUSE ]
AND, SPIKE, WE BOTH LOVE HATS. SO, AFTER A LIFETIME OF BOLD,
GAMECHANGING WORK, HERE IS SPIKE LEE'S MASTERPIECE, THE
STORY OF THE FIRST AFRICAN-AMERICAN DETECTIVE IN
THE COLORADO SPRINGS POLICE DEPARTMENT WHO JOINS FORCES WITH
HIS JEWISH COLLEAGUE TO INFILTRATE THE KU KLUX KLAN.
NOW, THAT IS FUNNY ALREADY. BUT IT'S AN UNFLINCHING LOOK AT
RACE RELATIONS IN AMERICA BACK IN THE 1970s.
THAT WAS THEN, BUT IT'S JUST AS RELEVANT TODAY.
>> THIS IS RON STALLWORTH. I'M ANXIOUS TO MEET YOU.
>> I'M JUST HAPPY TO MEET A TRUE WHITE AMERICAN.
>> THEY WANT TO MEET ME FIRST. >> YOU PROBABLY SHOULDN'T GO TO
THAT MEETING. >> YOU NEED TO WAKE UP.
>> DON'T THINK THAT I DON'T CARE ABOUT MY PEOPLE!
>> BLACK POWER!
>> WHITE POWER! >> YOU'RE JEWISH, BROTHER.
>> WHY ARE YOU ACTING LIKE YOU DON'T HAVE SKIN IN THE GAME?
>> THAT'S MY BUSINESS. >> IT'S OUR BUSINESS.
>> PLEASE WELCOME LAST YEAR'S
WINNERS FOR ACTRESS IN A SUPPORTING ROLE AND ACTOR IN A
LEADING ROLE, ALLISON JANNEY AND GARY OLDMAN.
[ APPLAUSE ]
>> YOU KNOW, YOU AND I COULDN'T HAVE WON OSCARS FOR PORTRAYING
TWO MORE DIFFERENT PEOPLE. >> THAT'S SO TRUE.
ONE OF US PLAYING A BRASH AND CONTROVERSIAL LEADER, KNOWN FOR
LOVING WHISKY AND ALWAYS BEING ENSHROUDED IN THAT TRADEMARK
CLOUD OF SMOKE. >> YES.
AND THEN, OF COURSE, YOU PLAYED CHURCHILL.
>> YES. >> AND HERE ARE THE NOMINEES FOR
PERFORMANCE BY AN ACTOR IN A LEADING ROLE.
>> CHRISTIAN BALE, "VICE." >> 3,000 INNOCENT PEOPLE BURNED
TO DEATH BY THOSE MONSTERS. AND YET YOU OBJECT WHEN I REFUSE
TO KISS THOSE MONSTERS ON THE CHEEK AND SAY PRETTY PLEASE.
YOU ANSWER ME THIS. WHAT TERRORIST ATTACK WOULD YOU
HAVE LET GO FORWARD SO YOU WOULDN'T SEEM LIKE A MEAN AND
NASTY FELLA? [ APPLAUSE ]
>> BRADLEY COOPER, "A STAR IS BORN."
>> CAN I TELL YOU A SECRET? I THINK YOU MIGHT BE A
SONGWRITER. DON'T WORRY, I WON'T TELL
ANYBODY. BUT I'M NOT VERY GOOD AT KEEPING
SECRETS. [ APPLAUSE ]
>> WILLEM DAFOE, "AT ETERNITY'S GATE."
>> I BELIEVE I HAVE A MENACING SPIRIT AROUND ME.
AN INVISIBLE BEING. I FEEL IT, I DON'T SEE IT.
HE SPEAKS TO ME, AND THREATENS ME, AND ALL HE WANTS TO DO IS
PLUNGE A KNIFE INTO MY HEART. I SAW HIM, AND I TRIED TO CUT
HIM OUT OF MYSELF. [ APPLAUSE ]
>> RAMI MALEK, "BOHEMIAN RHAPSODY."
COME ON I DON'T WANT TO DIE
SOMETIMES WISH I NEVER HAD BEEN BORN AT ALL
[ APPLAUSE ] >> VIGGO MORTENSEN, "GREEN
BOOK." >> YOU SPEAK GERMAN, HUH?
>> THAT WAS RUSSIAN. >> I WAS STATIONED IN GERMANY,
IN THE ARMY. I COULD PICK UP A LITTLE BIT OF
WHAT YOU SAID. WATCH OUT FOR THEM KRAUTS,
THEY'RE ALL SNEAKS. [ APPLAUSE ]
>> AND THE OSCAR GOES TO RAMI MALEK!
[ CHEERS AND APPLAUSE ]
>> THIS IS THE FIRST OSCAR AND NOMINATION FOR RAMI MALEK.
[ CHEERS AND APPLAUSE ]
>> OH, MY GOD. MY MOM IS IN HERE SOMEWHERE.
[ CHEERS AND APPLAUSE ] OH, I LOVE YOU.
I LOVE YOU, LADY. MY FAMILY, THANK YOU FOR ALL OF
THIS. YOU KNOW, MY DAD DIDN'T GET TO
SEE ME DO ANY OF THIS. BUT I THINK HE'S LOOKING DOWN ON
ME RIGHT NOW. SO, THIS IS A MONUMENTAL MOMENT.
ONE I'M SO APPRECIATIVE OF ALL OF YOU, TO EVERYONE WHO HAS HAD
A HAND IN GETTING ME HERE. TO THE ACADEMY, TO PEOPLE WHO
TOOK A CHANCE ON ME. EVERY STEP OF THE WAY.
GRAHAM KING. DENNIS O'SULLIVAN, EVERYONE AT
FOX. AND NEW REGENCY.
I KNOW I WASN'T THE OBVIOUS CHOICE, BUT I GUESS IT WORKED
OUT. THANK YOU, QUEEN.
THANK YOU GUYS FOR BEING, FOR ALLOWING ME TO BE THE TINIEST
PART OF YOUR PHENOMENAL, EXTRAORDINARY LEGACY.
I AM FOREVER IN YOUR DEBT. [ APPLAUSE ]
MY CREW, AND MY CAST. I LOVE YOU.
YOU ARE MY EQUALS, MY BETTERS. I COULD HAVE NEVER BEEN HERE
WITHOUT YOU. I THINK ABOUT WHAT IT WOULD HAVE
BEEN LIKE TO TELL LITTLE BUBBA RAMI THAT ONE DAY THIS MIGHT
HAPPEN TO HIM. AND I THINK HIS CURLY-HAIRED
LITTLE MIND WOULD BE BLOWN. HE WAS STRUGGLING WITH HIS
IDENTITY, TRYING TO FIGURE HIMSELF OUT.
AND I THINK TO ANYONE STRUGGLING WITH THEIRS, AND TRYING TO
DISCOVER THEIR VOICE, LISTEN, WE MADE A FILM ABOUT A GAY MAN, AN
IMMIGRANT, WHO LIVED HIS LIFE JUST UNAPOLOGETICALLY HIMSELF.
THE FACT THAT I'M CELEBRATING HIM AND THIS STORY WITH YOU
TONIGHT IS PROOF THAT WE'RE LONGING FOR STORIES LIKE THIS.
I AM THE SON OF IMMIGRANTS FROM EGYPT, A FIRST-GENERATION
AMERICAN. [ APPLAUSE ]
AND PART OF MY STORY IS BEING WRITTEN RIGHT NOW.
AND I COULD NOT BE MORE GRATEFUL TO EACH AND EVERY ONE OF YOU,
AND EVERYONE WHO BELIEVED IN ME FOR THIS MOMENT.
IT'S SOMETHING I WILL TREASURE FOR THE REST OF MY LIFE.
LUCY, YOU'RE THE HEART OF THIS FILM.
YOU ARE BEYOND IMMENSELY TALENTED.
YOU HAVE CAPTURED MY HEART. THANK YOU SO MUCH.
[ CHEERS AND APPLAUSE ]
>> COMING UP NEXT, A LOOK AT BEST PICTURE NOMINEE "GREEN
BOOK," AND THE AWARD FOR BEST ACTRESS.
WILL THE OSCAR GO TO YALITZA APARACIO, GLENN CLOSE, OLIVIA
COLMAN, LADY GAGA, OR MELISSA McCARTHY?
>>> LADIES AND GENTLEMEN, PLEASE WELCOME AMANDLA STENBERG AND
CONGRESSMAN JOHN LEWIS. [ APPLAUSE ]
>> THANK YOU.
[ CHEERS AND APPLAUSE ] >> THANK YOU.
>> OUR FINAL NOMINEE FOR BEST PICTURE IS A FILM ABOUT BIGOTRY,
FRIENDSHIP, AND GROWTH, BASED ON THE STORY OF A WHITE MAN AND AN
AFRICAN-AMERICAN MAN ON A JOURNEY THROUGH THE SEGREGATED
SOUTH. >> I CAN BEAR WITNESS THAT THE
PORTRAIT PAINTED OF THAT TIME AND PLACE IN OUR HISTORY IS VERY
REAL. IT'S SEARED IN MY MEMORY, BLACK
MEN AND WOMEN, OUR BROTHERS AND SISTERS, TREATED AS SECOND CLASS
CITIZENS, THREATENED FOR RAISING THEIR FAMILIES OR EARNING A
LIVING, BEATEN AND SOMETIMES KILLED FOR THE CRIME OF TRYING
TO LIVE A LIFE WITH DIGNITY. OUR NATION BEARS THE SCARS OF
THAT TIME, AS DO I. [ APPLAUSE ]
>> THE CHARACTERS IN "GREEN BOOK" GRADUALLY TORE DOWN THE
WALLS BETWEEN THEM, TRANSFORMING EACH OTHER IN THE PROCESS.
AS THIS FILM DEMONSTRATES, ANY JOURNEY THAT OPENS SOMEONE'S
EYES AND SOFTENS THEIR HEART IS ONE THAT IS WORTH TAKING.
[ APPLAUSE ] >> YOUNG OR OLD, I ENCOURAGE YOU
TO BE AN ACTIVE PARTICIPANT IN THE JOURNEY.
THIS IS "GREEN BOOK." [ CHEERS AND APPLAUSE ]
>> HAVE YOU EVER DRIVEN PROFESSIONALLY BEFORE?
>> I CAN DRIVE ANYTHING. >> WHAT OTHER EXPERIENCE DO YOU
HAVE? >> PUBLIC RELATIONS.
>> I'M ABOUT TO EMBARK ON A CONCERT TOUR IN THE DEEP SOUTH.
>> YOU, IN THE DEEP SOUTH? THERE WILL BE PROBLEMS.
GET YOUR HANDS OFF OF HIM, NOW! >> DEAR DELORES, THE DISTANCE
BETWEEN US IS SO DIFFICULT. >> IT TAKES COURAGE TO CHANGE
PEOPLE'S HEARTS. [ APPLAUSE ]
>> PLEASE WELCOME ACADEMY AWARD
WINNERS FRANCES McDORMAND AND SAM ROCKWELL.
[ APPLAUSE ]
>> IT'S AN HONOR FOR US TO BE BACK ONSTAGE.
FRANCES, DO YOU HAVE ANYTHING TO ADD?
>> NO. NO, NO, THANK YOU VERY MUCH.
>> HERE ARE THE NOMINEES FOR PERFORMANCE BY AN ACTRESS IN A
LEADING ROLE. >> YALITZA APARICIO, "ROMA."
[ SPEAKING FOREIGN LANGUAGE ]
[ APPLAUSE ] >> GLENN CLOSE, "THE WIFE."
>> WHAT WE WERE TALKING ABOUT THE OTHER DAY?
>> YES? >> I WANT TO SAY THAT WHAT YOU
IMPLIED ISN'T TRUE. AND IF YOU MALIGN JOE'S TALENT
IN ANY WAY, I'LL TAKE YOU TO COURT.
GOOD LUCK, NATHANIEL, I'M SURE YOU'LL WRITE A FINE BOOK.
[ APPLAUSE ] >> OLIVIA COLMAN, "THE
FAVOURITE." >> I HAVE BEEN WANTING TO GIVE
YOU SOMETHING FOR QUITE SOME TIME NOW.
THE PERFECT OPPORTUNITY. >> IT'S A MONSTROUS
EXTRAVAGANCE. >> OH, I DID NOT KNOW THAT.
[ APPLAUSE ] >> LADY GAGA, "A STAR IS BORN."
>> I WON'T DO THAT AGAIN. I WON'T COME AND FIND YOU.
NEXT TIME, YOU CAN CLEAN UP YOUR OWN MESS.
[ APPLAUSE ] >> MELISSA McCARTHY, "CAN YOU
EVER FORGIVE ME?" >> IT WASN'T MY WORK, WAS IT?
IF I HAD PUT IN MY WORK, I WOULD HAVE BEEN OPENING MYSELF UP.
AND I'M TOO MUCH OF A COWARD TO DO THAT.
[ APPLAUSE ] >> AND THE OSCAR GOES TO OLIVIA
COLMAN. >> THIS IS THE FIRST OSCAR AND
NOMINATION FOR OLIVIA COLMAN. [ APPLAUSE ]
[ CHEERS AND APPLAUSE ] >> I'M -- OH.
IT'S GENUINELY QUITE STRESSFUL. THIS IS HILARIOUS.
I GOT AN OSCAR. OKAY.
I HAVE TO THANK LOTS OF PEOPLE. IF I FORGET ANYBODY, I'LL FIND
YOU LATER AND GIVE YOU A MASSIVE SNOG, I'M SORRY I MIGHT FORGET
NOW. MY BEST DIRECTOR, AND WITH EMILY
AND RACHEL, THE TWO LOVELIEST WOMEN IN THE WORLD TO FALL IN
LOVE WITH AND TO DO TO WORK WITH EVERY DAY.
YOU CAN IMAGINE, IT WASN'T A HARDSHIP.
AND TO BE IN THIS CATEGORY WITH THESE EXTRAORDINARY WOMEN.
GLENN CLOSE, YOU'VE BEEN MY IDOL FOR SO LONG.
THIS IS NOT HOW I WANTED TO IT TO BE, AND I THINK YOU'RE
AMAZING, AND I LOVE YOU VERY MUCH.
I LOVE YOU ALL. THANK YOU, LINDY KING, MY AGENT
WHO TOOK ME ON OVER 20 YEARS AGO.
THANK YOU SO MUCH. AND OLIVE, HILDY, BRYNNA, MY MOM
AND DAD. YOU KNOW.
AND MY KIDS, WHO ARE AT HOME AND WATCHING.
IF YOU'RE NOT, THEN, WELL DONE. BUT I SORT OF HOPE YOU ARE.
THIS IS NOT GOING TO HAPPEN AGAIN.
AND ANY LITTLE GIRL WHO IS PRACTICING THEIR SPEECH ON THE
TELLY, YOU NEVER KNOW. AND I USED TO WORK AS A CLEANER,
AND I LOVED THAT JOB. I DID SPEND QUITE A LOT OF TIME
IMAGINING THIS. OH, PLEASE WRAP UP.
OKAY. MY HUSBAND, ED.
MY BEST FRIEND, I LOVE YOU SO MUCH.
25 YEARS, YOU'VE BEEN MY BEST
SUPPORTER. HE'S GOING TO CRY.
I'M NOT. THANK YOU SO MUCH.
FOX, EVERYBODY, THE CAST, THE CREW, FRANCIES, SAM, THANK YOU O
MUCH. LADY GAGA.
[ CHEERS AND APPLAUSE ]
>> COMING UP, THE ACADEMY AWARDS
>>> PLEASE WELCOME LAST YEAR'S
WINNER OF THE ACADEMY AWARD FOR DIRECTING, GUILLERMO DEL TORO.
[ CHEERS AND APPLAUSE ]
>> THANK YOU. YESTERDAY, I HAD A FEVER, I WAS
VERY SICK. BUT I WOULDN'T MISS THIS FOR THE
WORLD. BECAUSE I FEEL A GREAT KINSHIP
WITH THIS AWARD, AND WITH THE PEOPLE IT HONORS.
NO MATTER WHAT NAME IS IN THIS ENVELOPE, AND I HAVE NOT PEEKED,
I WANT TO BE HERE AT THIS VERY MOMENT.
BECAUSE EACH OF THE NOMINEES IN THIS CATEGORY HAS MADE
PASSIONATE, PERSONAL FILMS, AND EVERY ONE WILL LEAVE TONIGHT
WITH FILMS UNTOUCHED, THEY WILL BE THE VERY SAME THEY WERE WHEN
THEY WALKED INTO THIS CEREMONY. AND FOR THAT, YOU CAN BE VERY
PROUD. [ APPLAUSE ]
HERE ARE THE NOMINEES FOR ACHIEVEMENT IN DIRECTING.
SPIKE LEE, "BLACKKKLANSMAN." PAWEL PAWLIKOWSKI, "COLD WAR."
YORGOS LANTHIMOS. "THE FAVOURITE."
ALFONSO CUARON, "ROMA." ADAM McKAY, "VICE."
[ APPLAUSE ] >> AND THE OSCAR GOES TO, THIS
NAME I CAN PRONOUNCE, ALFONSO CUARON.
>> THIS IS THE FOURTH OSCAR FOR ALFONSO CUARON.
HIS SECOND WIN TONIGHT. [ APPLAUSE ]
[ CHEERS AND APPLAUSE ] >> THANK YOU SO MUCH.
BEING HERE DOESN'T GET OLD. I WANT TO THANK SO MANY PEOPLE.
OBVIOUSLY, YALITZA APARICIO AND MARINA, THEY WERE THE FILM, THEY
ARE TRULY THE FILM. THE AMAZING CAST AND CREW.
GABRIELLA AND NICHOLAS, THE PRODUCERS.
DAVID AND JONATHAN. TED AND JULIA AT NETFLIX.
KELLY BUSH AND DAVID LERNER. AND HENRY HOLMES.
NOW, I HAVE TO SAY, I HAD BETTER TAKE OUT MY NOTES.
OH, YEAH, I WANT TO THANK THE ACADEMY FOR RECOGNIZING THE FILM
CENTERED AROUND AN INDIGENOUS WOMAN.
ONE OF THE MILLIONS OF THE DOMESTIC WORKERS AROUND THE
WORLD WITHOUT RIGHTS, WHO HAVE BEEN HISTORICALLY REGULALEGATED
THE BACKGROUND IN CINEMA. THIS IS MUCH MORE IMPORTANT IN
TIMES WHEN WE'RE BEING ENCOURAGED TO LOOK AWAY.
[ SPEAKING FOREIGN LANGUAGE ] [ CHEERS AND APPLAUSE ]
>> COMING UP NEXT, THE FINAL
>>> LADIES AND GENTLEMEN, PLEASE WELCOME ACADEMY AWARD WINNER,
JULIA ROBERTS. [ CHEERS AND APPLAUSE ]
>>> OVER THE COURSE OF THE
EVENING, WE'VE SEEN HIGHLIGHTS FROM EIGHT FILMS NOMINATED FOR
BEST PICTURE. EACH IS UNIQUE IN THE STORY
BEING TOLD. EACH IS DIFFERENT IN ITS APPEAL.
BUT THEY PROVE ONCE AGAIN THAT REGARDLESS OF WHO YOU ARE OR
WHERE YOU LIVE, THESE ARE FILMS THAT CONNECT US TO ONE ANOTHER.
ONCE AGAIN, HERE ARE THE NOMINEES FOR BEST PICTURE.
>> "BLACK PANTHER." "BLACKKKLANSMAN."
"BOHEMIAN RHAPSODY." "THE FAVOURITE."
"GREEN BOOK." "ROMA."
"A STAR IS BORN." "VICE."
[ APPLAUSE ] >> OH.
AND THE OSCAR GOES TO "GREEN BOOK."
[ CHEERS AND APPLAUSE ]
>> "GREEN BOOK" HAS FIVE ACADEMY AWARD NOMINATIONS THIS YEAR,
WINNING THREE OSCARS. ACTOR IN A SUPPORTING ROLE,
ORIGINAL SCREENPLAY, AND BEST PICTURE.
[ CHEERS AND APPLAUSE ]
>> ALOHA.
AND THANK YOU TO THE MEMBERS OF THE ACADEMY.
IT'S SUCH A PRIVILEGE. THIS IS LIKE A DREAM.
WE NEED TO START BY THANKING OUR FRIENDS AT PARTICIPANT MEDIA,
WHO HAVE BEEN WITH US ALL ALONG THE WAY.
THANKS FOR THEIR BELIEF. YEAH.
[ APPLAUSE ] WE CAN'T OVERLOOK UNIVERSAL AND
E1 AND LIONS GATE, AND I PERSONALLY WANT TO THANK
CHRISTINA AND MATTY. WE MADE THIS FILM WITH LOVE,
TENDERNESS, AND RESPECT. AND IT WAS ALL DONE UNDER THE
DIRECTION OF PETE FARRELLY. IT'S BEEN AN HONOR AND A
PRIVILEGE. >> THANK YOU VERY MUCH.
HE'S RIGHT, THIS IS, THE WHOLE STORY IS ABOUT LOVE, IT'S ABOUT
LOVING EACH OTHER, DESPITE OUR DIFFERENCES, AND FINDING OUT THE
TRUTH ABOUT WHO WE ARE, WE'RE THE SAME PEOPLE.
THIS DOESN'T START, BY THE WAY, WITHOUT VIGGO MORTENSEN.
RIGHT THERE, WE HAVE NO MOVIE, ALL THESE AWARDS ARE BECAUSE
VIGGO AND MAHERSHALA AND LINDA, BUT IT STARTED WITH VIGGO.
AND I GIVE YOU THIS, MY FRIEND. I DIDN'T GET TO THANK A LOT OF
PEOPLE BEFORE. I WANT TO THANK STEPHEN
SPIELBERG, OCTAVIA SPENCER, CHRIS BOWERS, DONNA LANGLY,
ELLEN, BILL CURRY, THE FIRST WRITER I EVER KNEW.
B BETSY, TIM, CORDO WILFORD, AND
MY SISTER KATHY, SHE DIED A WEEK BEFORE WE STARTED SHOOTING THIS,
BUT SHE NEVER LEFT MY SIDE. >> THANKS VERY MUCH.
I WANT TO DEDICATE THIS TO -- OH, YOU CAN'T HEAR ME?
I WANT TO DEDICATE THIS TO OUR GREAT FRIEND CARRIE FISHER.
[ APPLAUSE ]
>> WELL, APPARENTLY, THAT WRAPS UP THE 91st ACADEMY AWARDS.
CONGRATULATIONS TO ALL THE NOMINEES AND WINNERS.
GOOD NIGHT TO MY CHILDREN. AND THANK YOU FOR WATCHING.
>> CONGRATULATIONS TO ALL OF TONIGHT'S HONOREES FROM MARRIOTT
BONVOY. 30 HOTEL BRANDS.
ENDLESS EXPERIENCES. REWARDS REIMAGINED.
EXPLORE THE PROGRAM AT MARRIOTT.COM.
AIR TRANSPORTATION FOR THE ACADEMY AWARDS PROVIDED BY DELTA
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PROVIDED IN PART BY SENOVVA.